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which became the model for all subsequent visions of the End of Days: “And he said,
Behold, I will make thee know what shall be in the last end of the indignation: for at
the time appointed the end shall be” (Daniel 8:19).16
The descriptions presented in this vision have become the cornerstone of histor-
ical perception of the “End of the days” in Western culture. Nevertheless, the Old
Testament sources do not present a coherent picture of final salvation, but rather
provide a series of apocalyptic motifs emphasizing the drive towards salvation and
redemption at the End of Days. Joseph Klausner emphasizes that the Hebrews were
the only ancient nation to have a messianic vision of the cosmos.17 That messian-
ic tradition was then transmitted to the Western world through Christianity. The
apocalyptic narratives within that religious tradition have penetrated deeply into
the substrata of Western culture and still inform many works of literature and art, as
well as science fiction films of the apocalyptic genre, to which Interstellar clearly
belongs.
The Story of the Spies and Noah’s Ark
As a child, Murphy, one of the film’s protagonists, believes her room to be haunted
by a ghost following the discovery that certain books have fallen off their shelves
during the night, creating blanks in the stacks of books reminiscent of Morse
code. The girl thinks that the bookshelf is “talking to her” (00:14:57) and believes
she is also receiving other “signs”, such as the sand from the sandstorm which
bursts through the window and settles in what is clearly a non-random pattern
(00:19:40). Murphy and her father, Cooper, discover that the Poltergeist18 must
be an intelligent being sending them messages by way of gravitational waves
(00:20:54). The message is binary code that transmits a set of coordinates lead-
ing to an unknown spot on the map. They travel to the location specified by the
coordinates and discover that it is the site of a secret NASA base (00:24:32). Upon
being escorted inside, they meet Professor Brand, director of the agency and an
old friend of Cooper’s.
Brand reveals to them that NASA has discovered a wormhole, most likely created
by an unknown intelligence for the sake of saving humanity, which could be used
to travel enormous distances to uncharted areas of the galaxy and therefore offer
humanity a chance of surviving by settling on a new planet.
16 All biblical citations are taken from the King James Version (KJV) unless stated otherwise.
17 Klausner 1926, 199–200.
18 The word Poltergeist comes from a combination of the German words poltern (to make noise) and
geist (ghost), and thus can be loosely translated to mean “noisy ghost”.
58 | Bina Nir www.jrfm.eu 2020, 6/1, 53–69
JRFM
Journal Religion Film Media, Band 06/01
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 06/01
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2020
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 184
- Kategorien
- Zeitschriften JRFM