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to his friend Chaerephon by the Oracle of Delphi: his mission (should he choose to ac-
cept it) is to “awaken” the denizens of his city, Athens. Socrates tried to resist this fate,
at least that is what he claimed in his defense at his trial, as described by Plato: “For
know that the god commands me to do this, and I believe that no greater good ever
came to pass in the city than my service to the god […] something divine and spiritual
comes to me […] I have had this from my childhood; it is a sort of voice that comes to
me and when it comes it always holds me back from what I am thinking of doing.”25
In the biblical text, God is the one who chooses the prophets for humanity and
for the people of Israel. In the film, those who choose Cooper and his daughter
Murph are called “they”. Not unlike the biblical idea of “I am that I am”, we do not
really ever know who “they” are, but we imagine “them” as beings with superior
intelligence and therefore super-human powers. “They” have the ability to control
nature and open up an artificial wormhole in the universe, as well as to somehow
generate the structure of the four-dimensional tesseract, an ability similar to divine
creation. “They” are likened to God as described in the Bible – a superior being that
is outside nature, a creator who is able to create and control nature at will. God can
stop the celestial bodies in their tracks: “He said in the sight of Israel, Sun, stand
thou still upon Gibeon; and thou, Moon, in the valley of Ajalon” (Joshua 10:12). He
can stop the seas from overflowing: “will ye not tremble at my presence, which
have placed the sand for the bound of the sea by a perpetual decree, that it cannot
pass it” (Jeremiah 5:22). “Their” divine ability to create is matched by “their” ability
to “see” the future and take steps to prepare the ground for humanity’s salvation,
all qualities that equally apply to the God of the Old Testament. “They” have the
ability to “search the heart [and] try the reins, even to give every man according to
his ways” in order to choose the right apostles for their mission (Jeremiah 17:10).
“They” recognize Murph’s potential and choose her when she is still a child, just as
God chooses many of his prophets long before their mission can begin.
Conclusion
Interstellar is generally thought of as a film that visually demonstrate a number of
scientific quandaries, and it is so successful at doing so that certain physicists even
recommend it to students as a supplement to course materials, noting, for example,
“Christopher Nolan’s science fiction movie Interstellar offers a variety of opportuni-
ties for students in elementary courses on general relativity theory.”26
25 Plato 2005, 109–115.
26 Oliver/Tunzelmann/Franklin/Thorne 2015, 486.
Biblical Narratives in Interstellar |
67www.jrfm.eu
2020, 6/1, 53–69
JRFM
Journal Religion Film Media, Band 06/01
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 06/01
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2020
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 184
- Kategorien
- Zeitschriften JRFM