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within these traditions shaped the actors’ images of Jerusalem and were therefore
reiterated in the ritual of the ceremony.
Both Judaism and Christianity contain discrete conceptualizations of Jerusa-
lem, with the utopic “heavenly Jerusalem” a spiritual and symbolic center and the
“earthly Jerusalem” an actual geographical-historical city. Through history and up
to today, these two clearly distinguishable concepts have been interwoven in vari-
ous ways, including politically.20 The entanglement of these two versions of Jerusa-
lem is performed within the city itself, as we see in the example of the ritual of the
opening ceremony. Through such actions Jerusalem is loaded with religious con-
cepts and constructed as a holy city, as “heavenly Jerusalem”. Moreover, through-
out history Jerusalem has been variously charged as sacred space by claims and
rituals, and as a result many levels of sacralization have accumulated within cultural
memory. The repeated connection of religious concepts to the city has entangled
its earthly and heavenly histories. In a circular process, actors through the time have
constructed and still construct Jerusalem by loading it with their concepts; these
constructions shape conceptualizations of Jerusalem within religious traditions that
are reused to reconstruct Jerusalem. The many layers of accumulated sacralization
and legitimized concepts form a bulwark around the space.
For our interpretation of the ceremony, we need also consider the Palestinian
claim to Jerusalem although – indeed, precisely because – it does not appear in the
ceremony. This claim is primarily fueled by the significance of Jerusalem in Muslim
tradition. Called “al-Quds”(“the Holy”) by Muslims, Jerusalem is the third holiest city
after Mecca and Medina and al-Aqsa mosque is considered the place from which the
prophet Muhammad started his journey to heaven.21 The Palestinian claim is absent
from the ceremony, which thus works not only by performing a certain version of
Jerusalem, but also by excluding another. From this perspective, the struggle for Je-
rusalem can be understood as a struggle between conflicting claims to sacred space.
The modern debate over Jerusalem, with the city a central bone of contention
in the Middle East conflict, is part of this struggle. Even though, as Jan Stetter and
Stephan Busse suggest, the concrete premises of the current conflict over Jerusa-
lem are modern, the legitimacy patterns that characterize the conflict come from
much older religious narratives. The modern conflict, however modern it may be,
has dimensions that reach back far into history.22
Today religious narratives about Jerusalem serve as powerful sources of legiti-
mization, and references to the “heavenly Jerusalem” justify claims to the “earthly
20 Kristianssen 2015, 2.
21 Wasserstein 2007, 27–28.
22 Busse/Stetter 2018, 23.
Jerusalem between Political Interests and Religious Promise |
133www.jrfm.eu
2020, 6/1, 127–151
JRFM
Journal Religion Film Media, Band 06/01
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 06/01
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2020
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 184
- Kategorien
- Zeitschriften JRFM