Seite - 29 - in JRFM - Journal Religion Film Media, Band 02/02
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Reality and Paternity |
29www.jrfm.eu
2016, 2/2, 15–32
eyes. The Dardennes’ body-camera shows the unbearable tension that accom-
panies Olivier’s movements towards Francis and their common past by follow-
ing him from behind, showing his back and neck in extreme close-ups. This view
from behind emphasises the opacity of his experience, allowing at the same
time a close proximity, as if his whole broken history was to appear like an in-
delible inscription on his back. Moreover, the constant motion of the camera,
focussing on Olivier’s back, gives the viewer the unsettling impression that any-
thing could happen, accentuating the character’s unpredictability and ambigu-
ity. Luc Dardenne recorded, “To film the back. The human enigma, that is situ-
ated in the obscurity of the back. The great ellipse”.45
The Dardennes suggest that what remains of the father is this great ellipse of
his back: what remains are the invisible signifiers that have marked his existence
and are now inscribed on his back, like notches in the wood of his carpentry,
which only the viewer can grasp as they see his oscillation between forgiveness
and revenge, promise and removal, abandon and adoption. Only the promise or
forgiveness – as the Dardennes, together with Hannah Arendt, seem to suggest
– can unexpectedly decide between life and death, interrupting life’s natural
tendency to ruin and allowing concrete belief in the world. Promise and forgive-
ness destabilise the automaton and the irreversibility of destiny by releasing the
subject from the unbearable consequences of morbid action and by connecting
subjects in a new common destination. Promise and forgiveness both deal with
temporality: the promise aims at establishing a new relation between life and
future, while forgiveness seeks to look backwards into the past, interrupting
the burden of guilt and generating reconciliation with the unforgivable. They
both come to terms with the oppressive irreversibility of repetition, enabling
subjects to tear down the walls of the sphere that encapsulates them and to go
outside. As Arendt claims,
Without being forgiven, released from the consequences of what we have done,
our capacity to act would, as it were, be confined to one single deed from which we
could never recover; we would remain the victims of its consequences forever, not
unlike the sorcerer’s apprentice who lacked the magic formula to break the spell.
Without being bound to the fulfillment of promises, we would never be able to keep
our identities; we would be condemned to wander helplessly and without direction
in the darkness of each man’s lonely heart.46
It is important to underline that promise and forgiveness depend on the pres-
ence of the Other – the Dardennes would say of a father – since nobody can
forgive themselves and nobody can bind themselves by a promise alone. In this
45 Dardenne 2009, 95.
46 Arendt 1998, 237.
JRFM
Journal Religion Film Media, Band 02/02
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 02/02
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2016
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 168
- Kategorien
- Zeitschriften JRFM