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82 | Alyda Faber www.jrfm.eu 2016, 2/2, 69–98
iprocity within inequalities of medical expertise and family members who lack
this knowledge and are further disadvantaged by their distress.
The “literal” (visual and aural) layering is compounded by “abstract” layering
that implies reciprocity between patients, their families, and medical staff in the
enormity of the situation they face. Their sense of powerlessness is evident in
references to God and in repetitive speech. In a conversation between two phy-
sicians about a patient, the attending physician says, “God decides. God decides.
We don’t decide. These things have a life of their own; they really do, you know,
I mean they really do, they have a life of their own” (ND 73). Mrs. Sperazza also
appeals God as an expression of her helplessness: “I’ll put it in the hands of God.
There’s nothing I can say or do except pray” (ND 82). The doctors have limited
tools at their disposal while facing unrealistic expectations that they can and
must do something for patients near death, an existential situation that relativ-
ises the social hierarchy of physician-patient relations. Dr. Weiss observes that
physicians are “minor actors” dealing with “things … that are bigger than us”
(ND 110). Despite their expertise, physicians often tell patients’ family members
that they don’t know how to interpret a patient’s symptoms, or how to predict
his or her future (ND 82). Dr. Weiss expresses, in metaphorically vivid language,
his sense of helplessness and despondency about medical technology’s limits:
he refers to a treatment as using a “pea shooter against an atomic bomb” (ND
2); says he feels like Sisyphus pushing a rock up a hill only to have it roll down
again (ND 58); is frustrated at not being able to express limitation (“we can’t
do anything for that, we have no way to help that yet” [ND110]) or to be frank
about the “torture” of cancer treatments (ND 57), not to mention rising costs
of medical care that conflict with the wishes of family members to have “eve-
rything” done for patients. His colleague conveys the physician’s dilemma in
a futile desire to help when a patient receives a devastating diagnosis: “If you
wanted to give people quality of life, you could like be a furniture salesman …
it’s easy to fix things that are fixable” (ND 58). In conferences, grand rounds
and one-on-one conversations, medical staff repeatedly debate questions:
what is informed choice? (ND 57); what is “dead”? (ND 58); what is hopeless?
(ND 72–73); “When does a terminal illness really become terminal?” (ND 73).
Such questions are difficult to answer, while communication with patients and
family members demands some kind of answer. And this doesn’t even begin to
address the family problems that manifest themselves at hospital bedsides. The
Intensive Care Unit brings together paradoxes and terrible ironies: an autopsy
conference for Mr. Cabra, a thirty-three year old man, reveals that treatment for
his testicular cancer successfully eliminated the cancerous growths but caused
fatal pulmonary fibrosis. One of the physicians comments, “This is an example
of curing the tumour but that the cure is deadly, the therapeutic index is very
low” (ND 76).
JRFM
Journal Religion Film Media, Band 02/02
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 02/02
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2016
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 168
- Kategorien
- Zeitschriften JRFM