Seite - 101 - in JRFM - Journal Religion Film Media, Band 04/02
Bild der Seite - 101 -
Text der Seite - 101 -
100 | Vuk Uskoković www.jrfm.eu 2018, 4/2, 83–113
CEASELESS CONTRADICTION OF ONESELF AS THE
ANARCHISTIC ROUTE TO FREEDOM
Godard would not be Godard if he did not contradict all, even his dearest,
convictions, including the postmodern idea that the role of art is to abolish art
in order to point at the infinite beauty of being. This is why he opens his lat-
est movie, Adieu au Langage, with the claim that “those lacking imagination
take refuge in reality”.41 Rewind the loop of time to almost half a century ear-
lier and you will find two nerds named Bouvard and Pécuchet as a reference
to Flaubert’s eponymous novel sitting in a café in 2 ou 3 choses que je sais
d’elle, randomly pulling sentences from a towering pile of books and find-
ing the long-sought moment of enlightenment in Heidegger’s thought that
“thought is not merely a quest for non-thought; thought as such is bound
to the birth of being; being has always been destined for thought, but also
for being as the destiny of thought”,42 suggesting the inextricable connected-
ness between beautiful being as the birthplace of illuminative thought and
illuminative thought as the road leading to the doorsteps of beautiful be-
ing. Whether thought precedes being or the other way around we no longer
know, but by finding ourselves in this insolvable circle, all rules have become
41 Adieu au Langage (Jean-Luc Godard, FR 2014), 00:00:05.
42 2 ou 3 choses que je sais d’elle (Jean-Luc Godard, FR/IT 1967), 01:01:20.
Fig. 9. Le Mépris (Jean-Luc Godard, FR/IT 1963): The perplexed artist, the image of a muse, and the
wall between them. Characters looking away, distancing themselves mentally and emotionally from
one another, is a perpetual motif in Godard’s film. Is it a sign of contempt, i.e. le mépris, for the
society that, as Godard must have deemed, is necessary to elicit the qualities of enlightened being?
Does it stem from the belief that one must reject society if one is to find one’s true self and deliver
the highest potential of one’s being to the world?
JRFM
Journal Religion Film Media, Band 04/02
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 04/02
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2018
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 135
- Kategorien
- Zeitschriften JRFM