Seite - 112 - in JRFM - Journal Religion Film Media, Band 04/02
Bild der Seite - 112 -
Text der Seite - 112 -
Revisiting the Relevance of Conceptualism of Godard’s Film |
111www.jrfm.eu
2018, 4/2, 83–113
BIBLIOGRAPHY
Aller, Luis, 2014, Le Mépris. Presentation at the Aula de Cinema de la Filmoteca de Catalunya, https://
www.youtube.com/watch?v=RzkUrqsfJCM [accessed 11 February 2016].
Beckett, Samuel, 1961, Comment C’est and et L’image. Une édition critico-génétique, New York:
Routledge.
Beer, Stafford, 1999, On the Nature of Models. Let Us Now Praise Famous Men and Women, Too
(from Warren McCulloch to Candace Pert), Informing Science 2, 3, 69–83.
Berlin, Isaiah, 1952, Freedom and Its Betrayal. Six Enemies of Human Liberty, London: Chatto &
Windus.
Cavett, Dick, 1980, Interview with Jean-Luc Godard, Public Broadcasting Service, https://www.you-
tube.com/watch?v=FYVWQ3aChPU [accessed 2 January 2016].
Coutard, Raoul, 2003, Interview on Bande Ă part, New York: Criterion Collection.
Forster, Edward Morgan, 1927, Aspects of the Novel, Boston: Mariner.
Fromm, Erich, 1956, The Art of Loving, Zagreb: Naprijed.
Godard, Jean-Luc, 1968, Dictionary of American Film-Makers, in: Narboni, Jean / Milne, Tom (eds.),
Godard on Godard. Critical Writings by Jean-Luc Godard, New York: Da Capo Press, 201–204.
Godard, Jean-Luc, 1968, Manifesto, in: Narboni, Jean / Milne, Tom (eds.), Godard on Godard. Critical
Writings by Jean-Luc Godard, New York: Da Capo Press, 243.
Godard, Jean-Luc, 1968, My Approach in Four Movements, in: Narboni, Jean / Milne, Tom (eds.),
Godard on Godard. Critical Writings by Jean-Luc Godard, New York: Da Capo Press, 239–242.
Godard, Jean-Luc, 1970, Manifesto: What Is To Be Done?, Afterimage 1, April, 10–16.
Gould, Stephen Jay, 2002, No Science without Fancy, No Art without Facts. The Lepidoptery of
Vladimir Nabokov, in: Gould, Stephen Jay, I Have Landed. The End of a Beginning in Natural
History, New York: Harmony.
Hefling, Stephen E., 2002, Aspects of Mahler’s Late Style, in: Painter, Karen (ed.), Mahler and his
World, Princeton: Princeton University Press, 199–223.
Hesse, Hermann, 1943, The Glass Bead Game, ZĂĽrich: Fretz & Wasmuth Verlag.
Karina, Anna, 2002, Interview on Bande Ă part, New York: Criterion Collection.
Kristensen, Stefan, 2014, Touching the Virgin. On the Politics of Intimacy in Jean-Luc Godard’s Hail
Mary, Emotion, Space and Society 13, 134–139.
Pascal, Blaise, 1966 [1662], Pensées, Harmondsworth: Penguin.
Pintrich, Paul R., 2002, The Role of Metacognitive Knowledge in Learning, Teaching, and Assessing,
Theory into Practice 41, 4, 219–225.
Roud, Richard, 1968, Introduction to Godard on Godard, in: Narboni, Jean / Milne, Tom (eds.), God-
ard on Godard. Critical Writings by Jean-Luc Godard, New York: Da Capo Press, 7–10.
Sterritt, David, 1997, The Films of Jean-Luc Godard. Seeing the Invisible, Albany: State University of
New York Press.
Taubin, Amy, 2009, 2 or 3 Things I Know about Her: The Whole and Its Parts, Criterion Collection,
https://www.criterion.com/current/posts/1198-2-or-3-things-i-know-about-her-the-whole-and-
its-parts [accessed 25 August 2016].
Uskoković, Vuk, 2011, Co-Creation of Experiential Qualities, Pragmatics and Cognition 19, 3, 562–589.
Uskoković, Vuk, 2015, The Odyssey of Co-Creation: Sailing between Scylla of Solipsism and Charybdis
of Objectivism, Biocosmology – Neo-Aristotelism 5, 2, 226–239.
JRFM
Journal Religion Film Media, Band 04/02
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 04/02
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2018
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 135
- Kategorien
- Zeitschriften JRFM