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JRFM - Journal Religion Film Media, Band 05/02
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Deleuze, Gilles, 1994, Difference and Repetition, London: Continuum. Deleuze, Gilles / Guattari, Felix, 1983, Anti-Oedipus: Capitalism and Schizophrenia, Minneapolis: Uni- versity of Minnesota Press. DeLillo, Don, 203, Cosmopolis, New York: Scribner Derrida, Jacques / Ferraris, Maurizio, 2001, A Taste for the Secret, Cambridge: Polity Press. Eliot, T. S., 1922, The Wasteland, http://www.gutenberg.org/files/1321/1321-h/1321-h.htm, [ac- cessed 12 September 2019]. Ellison, Amanda, 2015, Why Watching TV Crime Dramas is Good for Your Brain, The Telegraph, 28 Janu- ary 2015, http://www.telegraph.co.uk/news/science/11374598/Why-watching-TV-crime-dramas- is-good-for-your-brain.html [accessed 12 September 2019]. Dostoevsky, Fyodor, 1992 [1927], The Brothers Karamazov, Everyman’s Library, New York. Gaines Lewis, Jordan, 2014, Why We’re Wired to Binge-Watch TV. Complex, Engrossing Series Affect Our Minds in Unexpected Ways, Psychology Today, 11 March 2014, https://www.psychology- today.com/blog/brain-babble/201403/why-were-wired-binge-watch-tv [accessed 12 September 2019]. Grosz, Elizabeth, 2013, “Habit Today: Ravaisson, Bergson, Deleuze and Us”, in: Body & Society, 19, 2&3, 217–239. Izod, John, 1988, “The Motion Picture Patents Company, 1908–14” in: Hollywood and the Box Office 1895–1986, New York: Columbia University Press, 16–25. Keller, Catherine, 1997, Apocalypse Now and Then: A Feminist Guide to the End of the World, Bos- ton, Mass: Beacon Press. Klein, Naomi, 2010, The Shock Doctrine: The Rise of Disaster Capitalism, New York: Metropolitan Books. Malabou, Catherine, 2008, What Should We Do with Our Brain?, New York: Fordham University Press. Marcel, Gabriel, 2002 [1964], Creative Fidelity, New York: Fordham University Press. McAlone, Nathan, 2016, “How the Hit Show ‘Mr. Robot’ Was Shaped by Its Creator’s Experience with the Arab Spring”, 13 March 2016, https://www.businessinsider.com/how-mr-robot-was- shaped-by-arab-spring-2016-3?r=US&IR=T, [accessed 12 September 2019]. McCabe, Janet / Akass, Kim, 2007, Quality TV: Contemporary American Television and Beyond, Lon- don: I. B. Tauris. Mittell, Jason, 2015, Complex TV: The Poetics of Contemporary Television Storytelling, New York: New York University Press. Molloy, Tim, 2010, “AMC and the Triumph of the TV Auteur”, 15 December 2010, http://www.the- wrap.com/amc-and-triumph-tv-auteur-23277/, [accessed 12 September 2019]. Portier-Young, Anathea, 2011, Apocalypse against Empire: Theologies of Resistance in Early Juda- ism, Grand Rapids, Mich: Eerdmans. Redvall, Eva Novrup, 2013, Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing, Basingstoke: Palgrave Macmillan. Sigurdson, Ola, 2012, Theology and Marxism in Eagleton and ĆœiĆŸek: A Conspiracy of Hope, Basing- stoke: Palgrave Macmillan. Stiegler, Bernard, 2015, States of Shock: Knowledge and Stupidity in the 21st Century, Cambridge: Polity. FILMOGRAPHY Mr Robot Season 1–3 (Created by: Sam Esmail, NBC, US 2015–2019). 30 | John Lynch www.jrfm.eu 2019, 5/2, 15–30
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JRFM Journal Religion Film Media, Band 05/02
Titel
JRFM
Untertitel
Journal Religion Film Media
Band
05/02
Autoren
Christian Wessely
Daria Pezzoli-Olgiati
Herausgeber
Uni-Graz
Verlag
SchĂŒren Verlag GmbH
Ort
Graz
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC 4.0
Abmessungen
14.8 x 21.0 cm
Seiten
219
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