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Gardeners hardly partake in the capitalist world, they still sell some of their
products at “the tree of life market”, which shows how all worlds are intercon-
nected and overlap at their margins. In opposition to the inauthenticity of the
compounds, the Gardeners’ lifestyle and their products are seen as “authentic”
by their contemporaries living in the compounds: “the Gardener produce was
the real thing. It stank of authenticity: the Gardeners might be fanatical and
amusingly bizarre, but at least they were ethical.”39 The God’s Gardeners also
attribute “being ethical” to themselves and their way of living – a belief which
is reinforced by their awaiting the apocalypse. For them, the story of the apoc-
alypse functions as a moral structuring device par excellence, and furthermore
mirrors the original meaning of the term as hopeful revelation:
We God’s Gardeners are a plural Noah: we too have been called, we too forewarned.
We can feel the symptoms of coming disaster as a doctor feels a sick man’s pulse.
We must be ready for the time when those who have broken trust with the Animals –
yes, wiped them from the face of the Earth where God placed them – will be swept
away by the waterless Flood which will be carried on the wings of God’s dark Angels
that fly by night, and in airplanes and helicopters and bullet trains, and on transport
trucks and other such conveyances.40
It remains open whether Crake is the sole initiator of the plan to rid the planet of
its human malady, or whether some of the God’s Gardeners are complicit in his
plan, as they also aspire towards an apocalypse they call “the waterless flood”,
which would cleanse the earth from a destructive human culture. Like its biblical
precursor, the worldview represented by Crake and the Gardeners entails a mor-
al map in which the pre-apocalyptic world is found evil and untenable and hope
is directed towards a post-apocalyptic New Jerusalem, or Eden in the Garden-
ers’ jargon, as this sermon held by Adam One shortly after the plague indicates:
What a cause for rejoicing is this rearranged world in which we find ourselves! True,
there is a certain – let us not say disappointment. The debris left by the Waterless
Flood, like that left by any receding flood, is not attractive. It will take time for our
longed-for Eden to appear, my Friends. But how privileged are we to witness these
first precious moments of Rebirth! How much clearer the air is, now that man-made
pollution has ceased!41
In opposition to Crake, however, the Gardeners see the root of evil not in the
human genetic make-up, as the term Anthropocene (the age of human) implies,
but in the toxic lifestyle of late capitalism.
39 Atwood 2010, 170.
40 Atwood 2010, 110.
41 Atwood 2010, 443.
42 | Stephanie Bender www.jrfm.eu 2019, 5/2, 31–50
JRFM
Journal Religion Film Media, Band 05/02
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 05/02
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 219
- Kategorien
- Zeitschriften JRFM