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to-fascist ideas while drawing on eugenic perspectives for the improvement of
humanity. Although it finds radically different expression, the post-First World
War disenchantment evident in Nordenholt’s Million would also permeate Syd-
ney Fowler Wright’s inter-war disaster novels Deluge (1927) and Dawn (1929),
although, unlike Nordenholt’s Million, they advocate a complete rejection of
modernity in favour of a re-assertive middle-class patriarchy controlling the
land, working classes and women. Nordenholt’s Million’s non-democratic, high-
ly efficient utopia built on the subjugation of the few and the sacrifice of the
many is informed by a desire to overcome and where necessary oppress what
it perceives as “human nature”. In keeping with its “extremes of Englishness”
themes, strong leadership is shown as necessary in the novel’s emphasis on the
benefits of dictatorial rule. Such a positive representation of dictatorship, even
one apparently justified by catastrophe, could only have been written before
the Second World War. Nevertheless, it reveals how it is possible for some to ac-
cept an isolationist, anti-democratic and anti-liberal environment as a desirable
means of overcoming contemporary social and economic anxieties.
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Totalitarian Opportunism |
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2019, 5/2, 51–68
JRFM
Journal Religion Film Media, Band 05/02
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 05/02
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 219
- Kategorien
- Zeitschriften JRFM