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JRFM - Journal Religion Film Media, Band 05/02
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Seite - 92 - in JRFM - Journal Religion Film Media, Band 05/02

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Campos, Javier, 2020, I Am God! The Transference of Musical Fandom as Religion to Worshipping the Self, in: Gregory, Georgina / Dines, Mike (eds.), Exploring the Spiritual in Popular Music: Be- atified Beat, London: Bloomsbury Studies in Religion and Popular Music [forthcoming]. Carby, Hazel V., 2001, What Is This “Black” in Irish Popular Culture?, European Journal of Cultural Studies 4, 3, 325–349. Chang, Hui-Chuan, 2011, Critical Dystopia Reconsidered: Octavia Butler’s Parable Series and Mar- garet Atwood’s Oryx and Crake as Post-Apocalyptic Dystopias, Tamkang Review 41, 2, 3–20. Clark, Lynn S., 2007, Religion, Twice Removed: Exploring the Role of Media in Religious Understand- ings among “Secular” Young People, in: Ammerman, Nancy T. (ed.), Everyday Religion: Observ- ing Modern Religious Lives, Oxford: Oxford University Press, 69–81. Coleman, Thomas J. / Arrowood, Robert B., 2015, Only We Can Save Ourselves: An Atheist’s “Sal- vation”, in: Bacon, Hannah / Dossett, Wendy / Knowles, Steve (eds.), 2015a, Alternative Salva- tions. Engaging the Sacred and the Secular, London / New York: Bloomsbury, 11–20. Dunbar, Dirk, 2002, The Evolution of Rock and Roll: Its Religious and Ecological Themes, The Journal of Religion and Popular Culture 2, 1. Farca, Gerald / Ladevèze, Charlotte, 2016, The Journey to Nature: The Last of Us as a Critical Dysto- pia, DIGRA/FDG ’16, 1–16, http://www.digra.org/wp-content/uploads/digital-library/paper_246. pdf [accessed 23 June 2018]. Feenberg, Andrew, 1995, Alternative Modernity. The Technical Turn in Philosophy and Social Theo- ry. Berkeley: University of California Press. Felton, Emma / Gibson, Mark Nicholas / Flew, Terry / Graham, Phil / Daniel, Anna, 2010, Resilient creative economies? Creative industries on the urban fringe, Continuum: Journal of Media & Cultural Studies 24, 4, 619–630. Frith, Simon, 1995 [1980], Formalism, Realism and Leisure. The Case of Punk, in: Gelder, Ken / Thorn- ton, Sarah (eds.), The Subcultures Reader, Cambridge: Polity Press, 163–174. Geraci, Robert M., 2010, Apocalyptic AI: Visions of Heaven in Robotics, Artificial Intelligence, and Virtual Reality, Oxford: Oxford University Press. Gilmour, Michael J., 2017, The Bible and Popular Music, in: Moberg, Marcus / Partridge, Christopher (eds.), The Bloomsbury Handbook of Religion and Popular Music, London: Bloomsbury, 67–76. Heim, Michael R., 2017, Bridging Real and Virtual: A Spiritual Challenge, Journal for Religion, Film and Media 3, 1, 159–181. Jowett, Lorna, 2007, Helping the Hopeless: Angel as Critical Dystopia, Critical Studies in Television 2, 1, 74–88. Knickerbocker, Dale, 2010, Apocalypse, Utopia, and Dystopia: Old Paradigms Meet a New Millenni- um, Extrapolation 51, 3, 345–357. Löbert, Anja, 2012, Fandom as a Religious Form: On the Reception of Pop Music by Cliff Richard Fans in Liverpool, Popular Music 31, 1, 125–141. Marsh, Clive, 2017, Pop and Rock, in: Moberg, Marcus / Partridge, Christopher (eds.), The Blooms- bury Handbook of Religion and Popular Music, London: Bloomsbury, 232–240. McAvan, Em, 2010, The Postmodern Sacred, The Journal of Religion and Popular Culture 22, 1. McCarthy, Kate, 2001, Deliver Me from Nowhere: Bruce Springsteen and the Myth of the American Promised Land, in: Mazur, Michael / McCarthy, Kate (eds.), God in the Details: American Religion in Popular Culture, New York: Routledge, 23–45. McCoy, Narelle, 2013, The Rise of the Celtic Cyber-Diaspora: The Influence of the “New Age” on Internet Pagan Communities and the Dissemination of “Celtic” Music, in: Weston, Donna / Ben- nett, Andy (eds.), Pop Pagans: Paganism and Popular Music, Durham: Acumen, 176–188. Middleton, Paul, 2015, “Unlock Paradise with Your Own Blood”: Martyrdom and Salvation in Chris- tianity and Islam, in: Bacon, Hannah / Dossett, Wendy / Knowles, Steve (eds.) 2015a, Alternative Salvations. Engaging the Sacred and the Secular, London / New York: Bloomsbury, 109–120. Moberg, Marcus, 2017, Heavy Metal, in: Moberg, Marcus / Partridge, Christopher (eds.), The Bloomsbury Handbook of Religion and Popular Music, London: Bloomsbury, 223–231. 92 | Javier Campos Calvo-Sotelo www.jrfm.eu 2019, 5/2, 69–94
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JRFM Journal Religion Film Media, Band 05/02
Titel
JRFM
Untertitel
Journal Religion Film Media
Band
05/02
Autoren
Christian Wessely
Daria Pezzoli-Olgiati
Herausgeber
Uni-Graz
Verlag
SchĂĽren Verlag GmbH
Ort
Graz
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC 4.0
Abmessungen
14.8 x 21.0 cm
Seiten
219
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