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JRFM - Journal Religion Film Media, Band 05/02
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Seite - 93 - in JRFM - Journal Religion Film Media, Band 05/02

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Bild der Seite - 93 - in JRFM - Journal Religion Film Media, Band 05/02

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Montevecchio, Caesar A., 2012, Framing Salvation: Biblical Apocalyptic, Cinematic Dystopia, and Contextualizing the Narrative of Salvation, The Journal of Religion and Film 16, 2, 1–18. Moylan, Thomas, 2000, Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia, Cambridge, MA: Perseus Books. Peddie, Ian, 2017, Music, Religion and Protest, in: Moberg, Marcus / Partridge, Christopher (eds.), The Bloomsbury Handbook of Religion and Popular Music, London: Bloomsbury, 32–42. Roberts, Vaughan S., 2018, Music Review: U2, The Joshua Tree and Two Contrary States of Faith. “The Joshua Tree Thirtieth Anniversary Tour”, Twickenham Stadium, GB: Sunday, 9 July 2017, Journal for Religion, Film and Media 4, 1, 111–116. Sargent, Lyman T., 2013, Do Dystopias Matter?, in: Vieira, Fátima (ed.), Dystopia(n) Matters: On the Page, on Screen, on Stage, Newcastle: Cambridge Scholars Publishing, 10–13. Shahan, Cyrus, 2011, The Sounds of Terror: Punk, Post-Punk and the RAF after 1977, Popular Music and Society 34, 3, 369–386. Sklower, Jedediah, 2014, Preface: Dissent within Dissent, in: Whiteley, Sheila / Sklower, Jedediah (eds.), Countercultures and Popular Music, Farnham: Ashgate, xv–xx. Slone, Jason / Van Slyke, James (eds.), 2016, The Attraction of Religion. A New Evolutionary Psychol- ogy of Religion, New York: Bloomsbury. Swanson, K. J., 2016, Sinners, Saints, and Angels on Fire: The Curiously Religious Soundtrack of The Hunger Games’s Secular Dystopia, The Journal of Religion and Popular Culture 28, 1. Taylor, Laura, 2006, Metal Music as Critical Dystopia: Humans, Technology and the Future in 1990s Science Fiction Metal, St. Catharines, ON: Brock University. Van Otterloo, Anneke / Aupers, Stef / Houtman, Dick, 2010, Trajectories to the New Age. The Spiritual Turn of the First Generation of Dutch New Age Teachers, Social Compass 59, 2, 239–256. Walser, Robert, 1993, Running with the Devil: Power, Gender and Madness in Heavy Metal Music, Hanover: Wesleyan University Press. Weiss, Sarah, 2014, Listening to the World but Hearing Ourselves: Hybridity and Perceptions of Au- thenticity in World Music, Ethnomusicology 58, 3, 506–525. FILMOGRAPHY A Clockwork Orange (Stanley Kubrick, UK/US 1971). Angel (Created by: Joss Whedon / David Greenwalt, The WB, US 1999–2004). Apocalypse now (Francis Ford Coppola, US 1979). Armageddon (Michael Bay, US 1998). Batman (Tim Burton, US 1989). Buffy the Vampire Slayer (Created by: Joss Whedon, The WB/UPN, US 1997–2003). Deep Impact (Mimi Leder, US 1998). Doctor Who (Created by: Sydney Newman / C. E. Webber / Donald Wilson, BBC, UK 1963–). Dr. Phil (Created by: Oprah Winfrey, CBS, US 2002–). Dr. Strangelove (Stanley Kubrick, UK/US 1964). Game of Thrones (Created by: David Benioff / D. B. Weiss, HBO, US 2011–2019). Harry Potter I–VIII (Various Directors, UK 2001–2011). Labyrinth (Jim Henson, UK/US 1986). Oprah (The Oprah Winfrey Show, Created by: Oprah Winfrey, King World / CBS, US 1986–2011). Star Wars I–VI (George Lucas, US 1977–2005). Superman (Richard Donner, US 1978). Tarzan (Kevin Lima and Chris Buck, US 1999). The Lord of the Rings I–III (Peter Jackson, US/UK/NZ 2001–2003). X-Files (Created by: Chris Carter, Fox, US 1993–2018). Apocalypse as Critical Dystopia in Modern Popular Music | 93www.jrfm.eu 2019, 5/2, 69–94
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JRFM Journal Religion Film Media, Band 05/02
Titel
JRFM
Untertitel
Journal Religion Film Media
Band
05/02
Autoren
Christian Wessely
Daria Pezzoli-Olgiati
Herausgeber
Uni-Graz
Verlag
SchĂĽren Verlag GmbH
Ort
Graz
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC 4.0
Abmessungen
14.8 x 21.0 cm
Seiten
219
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