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JRFM - Journal Religion Film Media, Band 05/02
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BIBLIOGRAPHY Altheide, David L. / Schneider, Christopher J., 2013, Qualitative Media Analysis, London: Sage. Amis, Kingsley, 1965, The James Bond Dossier, London: Jonathan Cape. Asad, Talal, 1993, Genealogies of Religion: Discipline and Reasons of Power in Christianity and Islam, Baltimore: Johns Hopkins University Press. Bennett, Tony / Woollacott, Janet, 1987, Bond and Beyond: The Political Career of a Popular Hero, London: Palgrave. Black, Jeremy, 2005, The Politics of James Bond: From Fleming’s Novels to the Big Screen, Lincoln: Bison Books. Brode, Daniel / Deyneka, Leah (eds.), 2012, Sex, Politics, and Religion in Star Wars: An Anthology, Lanham, MD: Scarecrow Press. Bryman, Alan, 2004, Social Research Methods, Oxford: Oxford University Press, 2nd ed. Chapman, James, 2007, Licence to Thrill: A Cultural History of the James Bond Films, London: I. B. Tauris, rev. ed. Chattaway, Peter T., 2012, Is James Bond Catholic? Protestant? Neither? Both? Patheos, 5 November 2012, http://www.patheos.com/blogs/filmchat/2012/11/is-james-bond-catholic-protestant-neither- both.html [accessed 8 July 2018]. Clark, Lynn Schofield, 2007, Why Study Popular Culture? Or, How to Build a Case for Your Thesis in Religious Studies or Theology Department, in: Lynch, Gordon (ed.), Between Sacred and Pro- fane: Researching Religion and Popular Culture, London: I. B. Tauris, 5–21. Contessa, 2010, Was James Bond Religious? The James Bond Memes: Exploring Bondian Ideas and Influ- ences, http://jamesbondmemes.blogspot.fi/2010/11/was-james-bond-religious.html [accessed 8 July 2018]. Daas, Martha Mary, 2011, Ian Fleming’s Solitaire: The Voodoo Virgin Dethroned, in: Weiner, Robert G. / Whitfield, B. Lynn / Becker, Jack (eds.), James Bond in World and Popular Culture: The Films Are Not Enough, Newcastle: Cambridge Scholars Publishing, 162–168. Denning, Michael, 2015, Cover Stories: Narrative and Ideology in British Spy Thrillers, London: Rou- tledge. Detweiler, Craig / Taylor, Barry, 2004, A Matrix of Meanings: Finding God in Pop Culture, Grand Rap- ids: Baker Academic. Eco, Umberto, 1992, Narrative Structures in Fleming, in: Irons, Glenwood (ed.), Gender, Language and Myth: Essays on Popular Narrative, Toronto: University of Toronto Press, 157–182. Eliade, Mircea, 1968, Myth and Reality, New York: Harper Torchbooks. Eliade, Mircea, 1987 [1957], The Sacred and the Profane: The Nature of Religion, San Diego: Harvest. Ellis, Richard, 1999, Imagining Atlantis, New York: Vintage Books. Fleming, Ian, 2012 [1955], Moonraker, London: Vintage Books. Gordon, Andrew, 1995, Star Wars: A Myth of Our Time, in: Martin, Joel W. / Ostwalt Jr., Conrad E. (eds.), Screening the Sacred: Religion, Myth and Ideology in Popular American Film, Boulder: Westview Press, 73–83. Grace, Pamela, 2009, The Religious Film: Christianity and the Hagiopic, Oxford: Wiley-Blackwell. Hall, Stuart, 1992, The West and the Rest: Discourse and Power, in: Hall, Stuart / Gieben, Bram (eds.), Formations of Modernity, Cambridge: Polity Press / Open University, 275–331. Hanegraaff, Wouter J., 1998, New Age Religion and Western Culture: Esotericism in the Mirror of Secular Thought, Albany: State University of New York Press. Harris, David, 1996, A Society of Signs? London: Routledge. Jindra, Michael, 2005, It’s about Faith in Our Future: Star Trek Fandom as Cultural Religion, in: Forbes, Bruce David / Mahan, Jeffrey H. (eds.), Religion and Popular Culture in America, Berke- ley: University of California Press, 159–173, rev. ed. Johnston, Robert K., 2000, Reel Spirituality: Theology and Film in Dialogue, Grand Rapids: Baker Academic. Reading Bond Films through the Lens of “Religion” | 137www.jrfm.eu 2019, 5/2, 119–139
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JRFM Journal Religion Film Media, Band 05/02
Titel
JRFM
Untertitel
Journal Religion Film Media
Band
05/02
Autoren
Christian Wessely
Daria Pezzoli-Olgiati
Herausgeber
Uni-Graz
Verlag
SchĂĽren Verlag GmbH
Ort
Graz
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC 4.0
Abmessungen
14.8 x 21.0 cm
Seiten
219
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