Seite - 141 - in JRFM - Journal Religion Film Media, Band 05/02

David S. Dalton On (Dang) Quesadillas and Nachos Mexican Identity and a Mormon Imaginary in the Films of Jared Hess ABSTRACT Mormon director Jared Hess has produced several films, but none have achieved the popularity of Napoleon Dynamite (US 2004) and Nacho Libre (US 2006). These movies share several similarities: an interest in characters who do not fit the societal mold, low- brow humor, and – crucially for the current study – a fascination with characters of Mex- ican and Latin American descent. Hess’s representation of Mexican and Latin American people is difficult to place within current US discourses on race and ethnicity because it upholds racialist divisions within humanity even as it decries racist acts against societal Others. As Hess affirms the humanity of the US’s southern neighbors, for example, he denounces xenophobic and anti-immigrant points of view. At the same time, however, he signals his Mexican characters as irreconcilably different from – and perhaps simpler than – their North American counterparts. In this article, I argue that Hess’s ambiguous representation of Mexican peoples and cultures reflects a type of “benevolent racism” that is common within white, North American Mormon communities who paradoxically view people of Mexican descent both as Others and as the physical and spiritual heirs of the peoples of the Book of Mormon. KEYWORDS Book of Mormon, Immigration, Lamanite, Nacho Libre, Napoleon Dynamite, Mormon studies, Race and Religion BIOGRAPHY David S. Dalton is Assistant Professor of Spanish at the University of North Carolina at Charlotte. He is the author of Mestizo Modernity: Race, Technology, and the Body in Pos- trevolutionary Mexico (2018) and coeditor of The Transatlantic Undead: Zombies in His- panic and Luso-Brazilian Literatures and Cultures, a special issue in Alambique: Revista de Cinecia Ficción y Fantasía. DOI: 10.25364/05.05:2019.2.8 On (Dang) Quesadillas and Nachos | 141www.jrfm.eu 2019, 5/2, 141–165