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beginning of Knight of Cups, however, Malick has silently changed Bunyan’s actual words from “their dangerous journey” to “his dangerous journey”. This book is an exploration of each author’s own dangerous journey, in all of its poly- vocality, through the mire of Malick’s theology if it is to be interpreted as such. As in Pilgrim’s Progress, here too we find pitfalls and over-allegorizing, just as I experienced wrong turns and misinterpretation in the Black Forest, whether of maps, the German language, or the awful weather, while finding my way to Heidegger’s hut. But one thing is for certain: it is not a lone journey. BIBLIOGRAPHY Batcho, James, 2018, Terrence Malick’s Unseeing Cinema: Memory, Time and Audibility, Cham: Pal- grave Macmillan. Critchley, Simon, 2009, Calm: On Terrence Malick’s The Thin Red Line, in: Davies, David (ed.), The Thin Red Line, New York: Routledge, 11–27. Davies, David, 2009a, Terrence Malick, in: Livingstone, Paisley / Plantinga, Carl (eds.), The Routledge Companion to Philosophy and Film, New York: Routledge, 569–580. Davies, David, 2009b, Vision, Touch, and Embodiment in The Thin Red Line, in: Davies, David (ed.), The Thin Red Line, New York: Routledge, 45–64. Furstenau, Luc / MacAvoy, Leslie, 2007, Terrence Malick’s Heideggerian Cinema: War and the Ques- tion of Being in The Thin Red Line, in: Patterson, Hannah (ed.), The Cinema of Terrence Malick: Poetic Visions of America, London: Wallflower Press, 2nd ed., 179–191. Hamner, M. Gail, 2014, Filming Reconciliation: Affect and Nostalgia in The Tree of Life, Journal of Religion & Film 18, 1, article 43, http://digitalcommons.unomaha.edu/jrf/vol18/iss1/43 [accessed 6 May 2019]. Leithart, Peter J., 2013, Shining Glory: Theological Reflections on Terrence Malick’s The Tree of Life, Eugene: Wipf and Stock. Rothman, William, 2016, Seeing the Light in The Tree of Life , in: Beever, Jonathan / Cisney, Vernon W. (eds.), The Way of Nature and the Way of Grace: Philosophical Footholds on Terrence Mal- ick’s The Tree of Life, Evanston Northwestern University Press, 35–87. Sinnerbrink, Robert, 2006, A Heideggerian Cinema?: On Terrence Malick’s The Thin Red Line, Film-Phi- losophy 10, 3, 26–37. FILMOGRAPHY A Hidden Life (Terrence Malick, US/DE 2019). Days of Heaven (Terrence Malick, US 1978). Heaven Is for Real (Randall Wallace, US 2013). It’s a Wonderful Life (Frank Capra, US 1946). Knight of Cups (Terrence Malick, IT/US 2015). Song to Song (Terrence Malick, US 2017). The New World (Terrence Malick, US 2005). The Ten Commandments (Cecil B. DeMille, US 1956). The Thin Red Line (Terrence Malick, US 1998). The Tree of Life (Terrence Malick, US 2011; Criterion Collection, US 2018). To the Wonder (Terrence Malick, US 2012). Voyage in Time (Terrence Malick, US 2016). Book Review: Theology and the Films of Terrence Malick | 203www.jrfm.eu 2019, 5/2, 198–203