Seite - 55 - in JRFM - Journal Religion Film Media, Band 06/02

What Makes Popular Christian Music “Popular”? | 55www.jrfm.eu 2020, 6/2, 41–57 “sin” is undermined by “true” Christian music intended to spread knowledge throughout the world. This study is based on just two comparatively well-known examples from Germany and the United States. To continue its explorations we could prof- itably draw on a larger corpus of artists, discourses derived from Christian and secular media and social networks, and interviews with fans of PCM and scene-outsiders, all of which offer productive additional data. Whilst such perspectives lie beyond the scope of this article, this study does suggest that PCM, especially as performed by German-speaking artists, is rife with discov- eries for future research. Bibliography Depta, Klaus, 2016, Rock- und Popmusik als Chance. Impulse für die praktische Theologie, Wiesbaden: Springer VS. Elwert, Frederik / Radermacher, Martin / Schlamelcher, Jens, 2017, Einleitung, in: Elwert, Frederik / Radermacher, Martin / Schlamelcher, Jens (eds.), Handbuch Evangelikalis- mus, Bielefeld: Transcript, 11–20. Emling, Sebastian / Schira, Jonas, 2017, Evangelikalismus und populärkulturelle Musik, in: Elwert, Frederik / Radermacher, Martin / Schlamelcher, Jens (eds.), Handbuch Evange- likalismus, Bielefeld: Transcript, 393–407. Feist, Thomas, 2005, Musik als Kulturfaktor. Beobachtungen zur Theorie und Empirie christli- cher Popularmusik, Frankfurt a. M.: Peter Lang. Fiske, John, 2000, [1989], Lesarten des Populären, trans. Christina Lutter, Markus Reisenleit- ner and Erdei Stefan, Vienna: Turia + Kant. Gerth Medien, 2015, “Unser Ziel: junge Menschen für Jesus begeistern”, https://www.gerth. de/?id=230&tx_news_pi1%5Bnews%5D=433&tx_news_pi1%5Bcontroller%5D=News&tx _news_pi1%5Baction%5D=detail [accessed 17 June 2020]. Harju, Bärbel, 2012, Rock & Religion. Eine Kulturgeschichte der christlichen Popmusik in den USA, Bielefeld: Transcript. Harrington, Jim, 2019, With a Voice Like Adele, This Christian Pop Star Could Be Next Amy Grant. Lauren Daigle Is Experiencing Much Crossover Success, Mercury News, 23 February, https://www.mercurynews.com/2019/02/23/with-a-voice-like-adele-this- christian-pop-star-could-be-next-amy-grant/ [accessed 17 June 2020]. Horkheimer, Max / Adorno, Theodor W., 2006, [1947], Dialektik der Aufklärung. Philosophis- che Fragmente, Frankfurt a. M.: Fischer Taschenbuch Verlag, 16th ed. Howard, Jay R. / Streck, John M., 1996, The Splintered Art World of Contemporary Chris- tian Music, Popular Music 15, 1, 37–53. Hügel, Hans-Otto (ed.), 2003a, Handbuch Populäre Kultur. Begriffe, Theorien und Diskus- sionen, Stuttgart/Weimar: J. B. Metzler. Hügel, Hans-Otto, 2003b, Populär, in: Hügel, Hans-Otto (ed.), Handbuch Populäre Kultur. Begriffe, Theorien und Diskussionen, Stuttgart/Weimar: J. B. Metzler, 342–348. Hügel, Hans-Otto, 2007, Lob des Mainstreams. Zu Begriff und Geschichte von Unterhaltung und populärer Kultur, Cologne: Herbert von Halem Verlag.