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LIMINA - Grazer theologische Perspektiven
Limina - Grazer theologische Perspektiven, Band 3:2
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258 | www.limina-graz.eu Chiara Zuanni | Heritage in a digital world Jenkins, H. (2006), Confronting the Challenges of Participatory Culture. Media Education for the 21st Century. https://www.macfound.org/media/article_pdfs/JENKINS_WHITE_ PAPER.PDF [02.10.2020]. Jones, S. et al. (2018), 3D heritage visualisation and the negotiation of authentic- ity. The ACCORD project, International Journal of Heritage Studies 24, 4, 333–353. DOI: 10.1080/13527258.2017.1378905. Karp, I. / Kreamer, C. M. / Lavine, S. D. (eds.) (1992), Museums and communities. The politics of public culture, Washington/London: Smithsonian Institution Press. Kidd, J. / Cardiff, R. (2017), “A space of negotiation”. Visitor Generated Content and Eth- ics at Tate, Museum and Society 15, 1, 43–55. DOI: 10.29311/mas.v15i1.661. Latour, B. / Lowe, A. (2010), The migration of the aura or how to explore the original through its fac similes, Switching Codes, 275–297. http://www.bruno-latour.fr/sites/ default/files/108-ADAM-FACSIMILES-GB.pdf [02.10.2020]. Lowenthal, D. (1985), The past is a foreign country, Cambridge: Cambridge Univ. Press. Lowenthal, D. (1998), The heritage crusade and the spoils of history, Cambridge: Cam- bridge Univ. Press. Maxwell, M. (2017), Power is in the Process. The ACCORD project, Internet Archaeology 44. DOI: 10.11141/ia.44.10. Merriman, N. (1991), Beyond the glass case. The past, the heritage and the public in Brit- ain, Leicester: Leicester Univ. Press. Merriman, N. (2004), Public archaeology, London: Routledge. Morgan, C. (2019), Avatars, Monsters, and Machines. A Cyborg Archaeology, European Journal of Archaeology 22, 3, 324–337. DOI: 10.1017/eaa.2019.22. Morgan, J. / Macdonald, S. (2018), De-growing museum collections for new heritage futures, International Journal of Heritage Studies 26, 1, 56–70. DOI: 10.1080/13527258. 2018.1530289. Morris Hargreaves McIntyre [n. d.], Culture Segments. Enrichment. https://mhminsight. com/culture-segments/enrichment-pen-portrait-449 [30.05.2020]. Moshenska, G. (2014), The Archaeology of (Flash) Memory, Post-Medieval Archaeology 48, 1, 255–259. DOI: 10.1179/0079423614Z.00000000055. Paul, C. (2015), Digital Art, London: Thames & Hudson. Paul, C. (2017), From Archives to Collections, in: Grau, O. / Coones, W. / Rühse, V. (eds), Museum and Archive on the Move. Changing Cultural Institutions in the Digital Era, Ber- lin/Boston: De Gruyter, 184–197. Pink, S. et al. (2016), Digital ethnography. Principles and practice, Los Angeles: SAGE. Richardson, L. (2013), A Digital Public Archaeology?, Papers from the Institute of Archae- ology 23, 1, Art. 10. DOI: 10.5334/pia.431. Richardson, L. (2018), Ethical Challenges in Digital Public Archaeology, Journal of Com- puter Applications in Archaeology 1, 1, 64–73. DOI: 10.5334/jcaa.13. Samuel, R. (1994), Theatres of memory. Vol.1: Past and present in contemporary culture, London: Verso.
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Limina Grazer theologische Perspektiven, Band 3:2
Titel
Limina
Untertitel
Grazer theologische Perspektiven
Band
3:2
Herausgeber
Karl Franzens University Graz
Datum
2020
Sprache
deutsch
Lizenz
CC BY-NC 4.0
Abmessungen
21.4 x 30.1 cm
Seiten
270
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