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Alessandro De Cesaris | The Taste of Truth
In this way, a “mediology” of taste is the study of how that particular natu-
ral medium – our sense of taste – is able to shape human experience in
general, and therefore what aspects of our cultural and technological expe-
rience are rooted in our sense of taste.
1.2 What is a “medium”?
Based on this approach, another problem arises: what do we mean with the
term “medium”, be it natural or artificial? In other words: what is media-
tion? For the sake of the paper, I will offer a brief clarification of my use of
this notion.
As we have already seen, Debray’s understanding of mediation tends to
identify it with transmission (cf. Debray 1991). While Debray’s contribu-
tion is essential for many reasons – not last for his deep understanding
of the significance of Christian culture in the history of media – I will not
follow this identification. Other scholars have provided a very complex no-
tion of “transmission” (cf. Krämer 2015), but I still think that the notion
of mediation can be differentiated from the notion of transmission, as well
as from two other notions: relation and transformation. By analysing the
difference between the concept of mediation and these other concepts, I
will be able to propose at least a “negative” definition of what I mean with
this term.
First of all, mediation is not a relation because relations1 are static, and me-
diation is dynamic. In other terms, mediation is not a fact, but rather an act;
it is not a property, but a function.
Secondly, mediation is not a transmission because, while it can surely “al-
ter” the content of its object in some way, transmission leaves the onto-
logical status of the object unaltered. On the contrary, mediation is always
a process that modifies the status of the object. I will attempt to clarify
this position with an example: if I take a picture of a letter, and send it to a
friend, the message of the letter is transmitted (it is a message before and
after the transmission); however, the letter itself is mediated: its way of
being is radically altered, since after the mediation process it exists in the
form of an image. A consequence of this feature of mediation is that, differ-
ently from transmission, it is asymmetrical and irreversible: I can send back
a message, but I cannot “mediate back” an object.
A dynamic, asymmetrical and heteronomous function
1 Of course, here I am using a very
specific notion of relation. I mostly
refer to Aristotle’s idea of relation
(pros ti) as a category, namely as a
property of beings (Cat. VII, 6a).
Limina
Grazer theologische Perspektiven, Band 4:2
- Titel
- Limina
- Untertitel
- Grazer theologische Perspektiven
- Band
- 4:2
- Herausgeber
- Karl Franzens University Graz
- Datum
- 2021
- Sprache
- deutsch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 21.4 x 30.1 cm
- Seiten
- 214
- Kategorien
- Zeitschriften LIMINA - Grazer theologische Perspektiven