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390 Matthew Rampley
Such attitudes were not unique to German Liberals. Hungarian Liberals had sim-
ilar views with regard to their own language and culture. The idea of a cosmopolitan
identity, seen as central to construction of Habsburg state identity was consequently
not a celebration of diversity-in-difference, but rather one of a culture that could as-
similate or even sublate all into a higher unity. As András Gerő has argued, the aim
was to “homogenize the Hungarian people” for this “non-integrative” liberal concept
of nationhood “could not tolerate the notion of a Hungarian people with a diverse cul-
ture”.81 As with German-Austrian Liberals, the basic flaw of such cultural paternalism
was a blindness to the other, an inability to understand that for others, German and
Hungarian cultures were no less particular than their own.82 Conversely, German and
Hungarian Liberals were unable to grasp the demands for separate cultural recognition
on the part of other groups, and met them with a mixture of attitudes, ranging from
disregard to bafflement.
Conclusion
Eitelberger played a dominant role in the artistic and cultural life of mid-nineteenth
century Vienna. He was a powerful spokesman for Liberalism in the field of cultural
politics, and was an advocate of global free trade and cultural exchange. He was clear
about the benefits of open borders and about the contribution of foreigners to Austrian
cultural life ; his programme of design reform was predicated on the idea that designers
had as much to gain from engaging with multiple historic traditions, and he critiqued
the growing tendency towards the invention of specifically national visual identities. The
collections of the Museum reflected this belief, with a purposeful eclecticism that was
repeated in the museums of industry elsewhere in the Empire.
As laudable as his sentiments may seem – particularly when compared with the con-
servative and nationalist voices that shaped political discourse in the Habsburg domain
in its final decadesÂ
– it would be a mistake to view this outlook as a nineteenth-century
precursor to the multi-culturalism of more recent years. His comments were the product
of an ideological programme that proved to be inadequate to the shifting socio-political
circumstances of the later nineteenth century. Specifically, Eitelberger’s Liberalism was
81 A. Gerö, Modern Hungarian Society in the Making : The Unfinished Experience, Budapest 1995,
p.Â
188.
82 On this issue in relation to Hungarian Liberalism see P. Lendvai, Total Blindness : The Hungarian
Sense of Mission and the Nationalities, in : The Hungarians : A Thousand Years of Victory in Defeat,
trans. A. Major, Princeton 2003, pp.Â
299–309.
Open Access © 2019 by BÖHLAU VERLAG GMBH & CO.KG, WIEN
Rudolf Eitelberger von Edelberg
Netzwerker der Kunstwelt
- Titel
- Rudolf Eitelberger von Edelberg
- Untertitel
- Netzwerker der Kunstwelt
- Autoren
- Julia RĂĽdiger
- Eva Kernbauer
- Kathrin Pokorny-Nagel
- Raphael Rosenberg
- Patrick Werkner
- Tanja Jenni
- Verlag
- Böhlau Verlag
- Ort
- Wien
- Datum
- 2019
- Sprache
- deutsch
- Lizenz
- CC BY 4.0
- ISBN
- 978-3-205-20925-6
- Abmessungen
- 17.0 x 24.0 cm
- Seiten
- 562
- Kategorie
- Biographien