Seite - 161 - in Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna

161 7 #Hallstatt: Welcome to Jurassic World “Globalization takes place only in capital and data; everything else is damage control.” —Spivak (2010, 36) “Insofar as the fake points to unresolved problems in the world today, it should be analyzed, not dismissed.” —Abbas (2008, 252) In 1993, Jurassic Park (dir. Steven Spielberg) unleashed a frenzy of cloned, CGI-generated dinosaurs from a tropical island theme park onto multiplex screens.1 With the “inevitable” failure of Ju- rassic Park’s security (Scott 2014), and the equally inevitable suc- cess of this “contemporary descendent” of Frankenstein (Mitch- ell 2005, 172), rampaging dinosaur clones have become a regular 1 This chapter builds on Ingram and Reisenleitner (2014), a theoretical and photographic meditation on Norbert Artner’s Hallstatt Revisited I that draws on Ackbar Abbas’s juxtaposition in “Faking Globalization” of Deleuze’s “any-space-whatever” and Mario Gandelsonas’s “X-urbanism.” In our reading Artner’s series represents a kind of “twenty-first-century urbanism with Chinese characteristics” and makes clear the need to distin- guish among different forms of copying.