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The Vienna Genesis - Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment
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Maurizio Aceto, Maria João Melo, Elisa Calà, Paula Nabais, Rita Araújo 117 ence and Art: a fourteenth-century winter Breviary from Alcobaça scriptorium. Journal of Medieval Iberian Studies: 252–282. Caffaro, A. 2003. Scrivere in oro: Ricettari medievali d’arte e artigianato (secoli IX–XI): Co- dici di Lucca e Ivrea. Napoli: Liguori. Diadick Casselman, K. 2001. Lichen dyes. The new source book. New York: Dover Publica- tion. Diringer, D. 1967. The illuminated book: its history and production. London: Faber. Doherty, B., Gabrieli, F., Clementi, C., Cardon, D., Sgamellotti, A., Brunetti, B., and Miliani, C. 2014. Surface enhanced Raman spectroscopic investigation of orchil dyed wool from Roccella tinctoria and Lasallia pustulata. J. Raman Spectrosc.: 723–729. Furlan, I. 1998. Introduzione ai codici purpurei. In La porpora. Realtà e immaginario di un colore simbolico, ed. O. Longo, 317–337. Venezia: Istituto Veneto di Scienze. Idone, A., I. Miletto, P. Davit, M. Aceto, E. Prenesti, and M. Gulmini. 2017. Direct flu- orimetric characterisation of dyes in ancient purple codices. Microchemical Journal 135: 122–128. Kok, A. 1966. A short history of the orchil dyes. The Lichenologist 3: 248–272. Laurie, A.P. 1914. The pigments and mediums of the Old Masters. London: Macmillan. Lee, P.C., and D. Meisel. 1982. Adsorption and surface-enhanced Raman of dyes on silver and gold sols. Journal of Physical Chemistry 86: 3391–3395. Maravelaki-Kalaitzaki, P., and N. Kallithrakas-Kontos. 2003. Pigment and terracotta an- alyses of Hellenistic figurines in Crete. Analytica Chimica Acta 497: 209–225. Marconcini, M.M. 2012. Procedimenti nell’Alphabetum Romanum di Felice Feliciano. In Oro, argento e porpora, ed. S. Baroni, 107–111. Trento: Tangram Edizioni Scientifiche. Melo, M.J., P. Nabais, M. Guimarães, R. Araújo, R. Castro, M.C. Oliveira, and I. Whit- worth. 2016. Organic dyes in illuminated manuscripts: a unique cultural and historic record. Phil. Trans. R. Soc. A., 374: 20160050:1–20; theme issue “Raman Spectroscopy at the Arts/Science Interface: Applications in Art and Archaeological Analysis”. Porter, C., G. Chiari, and A. Cavallo. 2002. The analysis of eight manuscripts and frag- ments from the fifth/sixth century to the twelfth century, with particular reference to the use of and identification of “real purple” in manuscripts. In Art 2002: Proceedings of the 7th International Conference on Non-Destructive Testing and Microanalysis for the Diagnostics and Conservation of the Cultural and Environmental Heritage, eds. R. Van Grieken, K. Janssens, L. Vanʼt dack, G. Meersman, 2. Antwerp: University of Antwerp. Porter, C. 2008. The identification of purple in manuscripts. In Dyes in History and Ar- chaeology, Vol. 21, ed. J. Kirby, 59–64. London: Archetype Publications. Roger, P. 2007. Étude des couleurs et de la pratique picturale. Art de l’enluminure 20: 46– 65. Open-Access-Publikation im Sinne der CC-Lizenz BY 4.0
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The Vienna Genesis Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment
Titel
The Vienna Genesis
Untertitel
Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment
Herausgeber
Christa Hofmann
Verlag
Böhlau Verlag
Ort
Wien
Datum
2020
Sprache
englisch
Lizenz
CC BY 4.0
ISBN
978-3-205-21058-0
Abmessungen
17.3 x 24.5 cm
Seiten
348
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The Vienna Genesis