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Major Kusanagi is an elevated organic form – part human, part machine, as all of us are to
some, even if to a lesser extent.1 Another type of machine–person mergings are mechas – big
robots in human shapes controlled from inside by a person, usually used for fighting or
sometimes for work. In Neon Genesis Evangelion (Anno et al., 1995–1996), there is an
extraterrestrial invasion of battling angels coming successively and the only way to fight against
them are mechas with teenagers controlling them from the inside. In order to be able to do this,
the chosen children have to synchronize with them: they enter the machine and after a while,
their movements are directly reflected in the movements of the mechas. Many problems arise
precisely from these connections: connections are either too strong – so the mechas are
impossible to disconnect – or too weak – so they start to act on their own, etc.
In Figure 2, there are two mechas: one of them is
going berserk because it is infected by the angels,
the other one was deliberately disconnected from a
boy's body, after the boy refused to fight the first one
because of a child being inside of it. Then this mecha
in a ‘dummy mode’, that is controlled by auto-pilot,
tore the infected mecha into pieces. You can see that
the ‘dying’ mecha actually resembles a living body
with all the blood and flesh flying around.
Figure 2
My last example of anime with uncanny connections is Paprika (Kon, 2006) in which dream time-
space and conventional reality merge through a technical device called DC Mini. It is a device
developed for medical uses, which enables to share dreams with other persons. Its prototype
has been stolen and misused and consequently a horror-like dream of one of the characters
starts leaking into the city. Nevertheless, it is exactly thanks to these semipermeable boundaries
and vaguely defined relations between the main character Dr. Chiba and her dream alter ego
called Paprika, that it was possible to bring the city back to normal.
In Figure 3, Dr. Chiba is seen as split
between herself and Paprika, and on the
contrary, the two main antagonists are seen
as combined in one body and fighting each
other.
Figure 3
1 This is Donna Haraway's claim in The Cyborg Manifesto and we can easily perceive it around us or feel it in
ourselves: all human (and other) bodies are shaped by technology, starting with techniques of food preparation,
wearing clothes most of the time, or repairs of body parts, such as teeth, joints etc.
9
Critical Issues in Science, Technology and Society Studies
Conference Proceedings of the 17th STS Conference Graz 2018
- Title
- Critical Issues in Science, Technology and Society Studies
- Subtitle
- Conference Proceedings of the 17th STS Conference Graz 2018
- Editor
- Technische Universität Graz
- Publisher
- Verlag der Technischen Universität Graz
- Location
- Graz
- Date
- 2018
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-3-85125-625-3
- Size
- 21.6 x 27.9 cm
- Pages
- 214
- Keywords
- Kritik, TU, Graz, TU Graz, Technologie, Wissenschaft
- Categories
- International
- Tagungsbände
- Technik