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improvements. Social networking services (SNSs)have alsohad amajor impact on
creativityand thecreation thereof. Ithasbecomeespeciallyapparenthowlarge their
impact has been and will continue to be when looking at the unprecedented and
seemingly endless number of interactions taking place on these networks.
With digital technologies, the possibilities for individuals to express themselves
inexactly theway that theyseefit havebecomenearly infinite. Individuals cannow
express themselves and showcase their talents without bounds and may connect
with audiences that have similar interests. This phenomenonbecomes very evident
on platforms such asMedium, Instagram andYouTube. All three platforms allow
for future professionals, artists and amateurs to post content on these platforms and
test the market for future business endeavours. An interesting perspective to con-
sider is thatwhenmillionsof photos are taken anduploaded to Instagram, there are
bound to be great creative shots as a result. The same could be assumed for the
500million tweets posted daily. The probability for great content and creativeness
rises with frequency (Chamorro-Premuzic 2015).
Before we present various ways to foster creativity by making use of digital
technologies,wewill definecreativity andelaborate on the importanceof creativity
for digital businesses.
2.1 DefiningCreativity
Over the years, the process of defining creativity has led to the development of
various perspectives. The areas of cognition, personality and the stimulation of
creativity inpeoplewere themain focusofdefiningcreativity in the1950s to1970s
(Mehta and Dahl 2019). Later, in the 1980s and 1990s, that focus shifted to the
influence of environments and the social context of the creativity of individuals. In
2005, Cropley reviewed numerous attempts to classify creativity. One of themore
notable attempts was of Joy Paul Guilford, American psychologist, stressing the
importance of ‘divergent’ thinking in human psychology, noting the role of cre-
ativity in successful technological andeconomicventures.Guilford settledon three
elements of the variety of discussions about creativity: novelty, effectiveness and
ethicality, and focused on people that demonstrated these characteristics and
interactedwith otherswhile in a ‘creativity-friendly’ environment (Loveless 2002).
Several reviews exist that help to define and theorise the nature of creativity.
Dust’s (1999) review provides recommendations for achieving the goals of
exploration, exploitation and explanation to achieve the main objective: the pro-
motion of talent, innovativeness and creativity in thefields of science, technology
and art. However, it is important to note that much of the work cited in various
literature has been undertaken in the USA, UK and Europe, meaning we must
acknowledge the possibility of ‘cultural saturation’ in Western concepts of cre-
ativity, as it might lead to limitations in understanding the creativity of other
cultures. A key point in defining creativity is whether to focus on unique and
one-of-a-kind creative individuals, such asAlbert Einstein or Charlie Parker, who
possess paradigm-shifting abilities in society’swayof knowing, or to focus on any
26 R. D. Hisrich andM. Soltanifar
Digital Entrepreneurship
Impact on Business and Society
- Title
- Digital Entrepreneurship
- Subtitle
- Impact on Business and Society
- Authors
- Mariusz Soltanifar
- Mathew Hughes
- Lutz Göcke
- Publisher
- Springer Verlag
- Location
- Cham
- Date
- 2021
- Language
- English
- License
- CC BY 4.0
- ISBN
- 978-3-030-53914-6
- Size
- 16.0 x 24.0 cm
- Pages
- 340
- Keywords
- Entrepreneurship, IT in Business, Innovation/Technology Management, Business and Management, Open Access, Digital transformation and entrepreneurship, ICT based business models
- Category
- International