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is in place through the special sense in the dream. At home if there is a dish which the children decline, their mother first tries gentle persuasion, with a “Just taste it.” That the dream work should unhesitatingly use the double meaning of the word is certainly remarkable; ample experience has shown, however, that the occurrence is quite usual. Through condensation of the dream certain constituent parts of its content are explicable which are peculiar to the dream life alone, and which are not found in the waking state. Such are the composite and mixed persons, the extraordinary mixed figures, creations comparable with the fantastic animal compositions of Orientals; a moment’s thought and these are reduced to unity, whilst the fancies of the dream are ever formed anew in an inexhaustible profusion. Every one knows such images in his own dreams; manifold are their origins. I can build up a person by borrowing one feature from one person and one from another, or by giving to the form of one the name of another in my dream. I can also visualize one person, but place him in a position which has occurred to another. There is a meaning in all these cases when different persons are amalgamated into one substitute. Such cases denote an “and,” a “just like,” a comparison of the original person from a certain point of view, a comparison which can be also realized in the dream itself. As a rule, however, the identity of the blended persons is only discoverable by analysis, and is only indicated in the dream content by the formation of the “combined” person. The same diversity in their ways of formation and the same rules for its solution hold good also for the innumerable medley of dream contents, examples of which I need scarcely adduce. Their strangeness quite disappears when we resolve not to place them on a level with the objects of perception as known to us when awake, but to remember that they represent the art of dream condensation by an exclusion of unnecessary detail. Prominence is given to the common character of the combination. Analysis must also generally supply the common features. The dream says simply: All these things have an “x” in common. The decomposition of these mixed images by analysis is often the quickest way to an interpretation of the dream. Thus I once dreamt that I was sitting with one of my former university tutors on a bench, which was undergoing a rapid continuous movement amidst other benches. This was a combination of lecture-room and moving staircase. I will not pursue the further result of the thought. Another time I was sitting in a carriage, and on my lap an object in shape like a top-hat, which, however, was made of transparent glass. The scene at once brought to my mind the proverb: “He who keeps his hat in his hand will travel safely through the land.” By a slight turn the glass hat reminded me of Auer’s light, and I knew that I was about to invent something which was to make me as rich and independent as his invention had made my countryman, Dr. Auer, of Welsbach; then I should be able to travel instead of remaining in Vienna. In the dream I was traveling 22
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Dream Psychology
Title
Dream Psychology
Author
Sigmund Freud
Date
1920
Language
English
License
PD
Size
21.0 x 29.7 cm
Pages
114
Keywords
Neurology, Neurologie, Träume, Psycholgie, Traum
Categories
Geisteswissenschaften
International
Medizin

Table of contents

  1. Introduction 4
  2. Chapter 1: Dreams have a meaning 9
  3. Chapter 2: The Dream mechanism 20
  4. Chapter 3: Why the dream diguises the desire 34
  5. Chapter 4: Dream analysis 43
  6. Chapter 5: Sex in dreams 54
  7. Chapter 6: The Wish in dreams 67
  8. Chapter 7: The Function of the dream 79
  9. Chapter 8: The Primary and Secondary process - Regression 89
  10. Chapter 9: The Unconscious and Consciousness - Reality 104
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