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Jews in Viennese Popular Culture around 1900 as Research Topic | 25
that appeared in Jewish media within the larger framework of the reception of
newspaper media among the Viennese Jewish population.
Diff
erentiating between Jewish and Non-Jewish Newspapers
Scholarly focus on Jewish newspapers, or even on high-brow general newspa-
pers, does not necessarily lead to incorrect assertions about the life of Viennese
Jews. Th e most accomplished studies undertaken thus far have not incorpo-
rated insights available in the Viennese popular press, which advertised the per-
formances of Jewish popular artists.61 If we are to be critical of this approach,
however, we might point out that it has led to the assumption that there was no
connection between Jews and Viennese popular culture and that there is there-
fore no need to research this particular aspect of Jewish history.62 As a result,
there have been few scholarly studies dedicated to this topic, which in turn has
strengthened the idea that Jews were generally disinterested in popular culture.
It is a classic case of circular logic that has only served to cement misconcep-
tions. Due to this oversight, at least an entire aspect of the history of Viennese
Jews remains unexplored.
Investigating Jewish newspapers inevitably raises the question of how to defi
ne
them. What exactly distinguishes Jewish newspapers from non-Jewish media,
and does a juxtaposition between the Jewish and non-Jewish press even do the
topic justice? In the following, I consider Jewish newspapers and magazines, in-
cluding Die Wahrheit, Bloch’s Oesterreichische Wochenschrift, the (Neue) National-
Zeitung, Die Welt, and other print media that were dedicated to strengthening
Jewish ethnic and cultural awareness, to promoting Jewish religious concerns,
and to communicating news of particular interest to the majority of Jews. Th e
particular orientation of the Jewish media outlets thus distinguished them from
the general (non-Jewish) press. Occasionally, non-Jewish media also reported on
events that were primarily relevant for a Jewish readership. Such events include,
for example, elections to the executive committee of the Jewish communities in
Hernals, Ottakring, and Neulerchenfeld, which appeared in print in the Wiener
Vororte-Zeitung (Newspaper of the outlying districts of Vienna).63 However, the
reporting of such information in non-Jewish media was more likely to be the
exception rather than the rule in communicating the news.64
In referencing the specifi
c focus of their reporting, I call attention to the
widely accepted circumscription of Jewish newspapers.65 We can trace this idea
back to an article by Margaret T. Edelheim-Muehsam, published in the fi
rst edi-
tion of the Leo Baeck Institute Yearbook in 1956. She asserts, “If we speak of the
German-Jewish press, we refer to the periodicals published by Jews for Jewish
readers, with special emphasis on Jewish problems. Th
is does not exclude that
any paper may have occasionally been published by non-Jewish authors, nor that
non-Jews read the paper.”66
This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
Entangled Entertainers
Jews and Popular Culture in Fin-de-Siècle Vienna
- Title
- Entangled Entertainers
- Subtitle
- Jews and Popular Culture in Fin-de-Siècle Vienna
- Author
- Klaus Hödl
- Publisher
- Berghahn Books
- Date
- 2019
- Language
- English
- License
- CC BY 4.0
- ISBN
- 978-1-78920-031-7
- Size
- 14.86 x 23.2 cm
- Pages
- 196
- Categories
- Geschichte Vor 1918
- International
Table of contents
- Introduction 1
- 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
- 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
- 3. Jewishness and the Viennese Volkssänger 78
- 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
- 5. From Difference to Similarity 148
- Conclusion 163
- Bibliography 166
- Index 179