Page - 26 - in Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna
Image of the Page - 26 -
Text of the Page - 26 -
26 | Entangled Entertainers
Viennese Jewish newspapers explicitly established their specifi
c scope in their
program implementations. For example, in its fi
rst issue from 1 January 1899,
the newspaper Die Wahrheit declared that it would “foster all things capable of
awakening and preserving Jewish life.”67 Die Wahrheit confi
rmed that it would
focus on Jewish themes and concerns. Th
e statement indicates only implicitly
that it would report on general social events, insofar as they concerned Jewish in-
terests. Many Jewish national and Zionist media were even more explicit in their
commitment to reporting specifi
cally on Jewish matters. Die Welt stated, “Our
weekly newspaper is a ‘Judenblatt’ [a Jewish newspaper]. . . . Die Welt will be
the news outlet of the men who wish to lead Judaism from this moment in time
to better times in the future.”68 Th
e publication then focuses solely on Jewish
interests—specifi cally Jewish Zionist interests.
Selective Reporting in the Jewish Press
With regard to the programmatic establishment of news reporting, we might
expect that Jewish media overlooked events that involved Jews if these events
did not entail specifi
c aspects of Jewish religion or culture or if they were of no
relevance to larger portions of the Viennese Jewish community. We can see the
legitimacy of this argument in the example of the aff
air surrounding the suicide
of the Jewish merchant Heinrich Löwy at the beginning of 1899. Th
e man who
committed suicide was the owner of a commission business located in the city
center of Vienna. He made his living by purchasing goods from a Bohemian
supplier and reselling them to Viennese businessmen. Unfortunately, and to his
detriment, Löwy’s customers included members of a gang of swindlers and rack-
eteers. Moriz Rosenberger, Samuel Schmilowitz, Sigmund Kohn, Samuel Weiss,
and several others started sham businesses, which they outfi
tted with goods from
Löwy. Th
ey failed to pay him, but they nevertheless sold the goods to other mer-
chants. Löwy was thereby driven to ruin. He saw suicide as the only way out of
his misery. On the last day of 1898, he arrived home late for lunch—the main
meal of the day. His family was already sitting at the table, waiting for him. After
entering the apartment, he walked wordlessly past his wife and children, opened
a window in an adjoining room, and plunged from the fourth fl
oor to the court-
yard below. Heavily injured, he was carried to the apartment of the caretaker
living on the ground fl
oor, where those helping the seriously injured man awaited
the ambulance. Löwy succumbed to his injuries while in the hospital.69
Th
e newspapers were full of reports of his tragic death in the fi rst few days of
January. He seemed to symbolize the powerlessness of individual people in the
face of criminal activities. Despite his diligence and a degree of business acumen,
Löwy was unable to prevent his social collapse. Th
e bottom line seemed to be
that bourgeois virtues off
ered no protection against unfeeling fellow citizens. But
although the perpetrators, as well as the injured party, were all Jews and although
This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
Entangled Entertainers
Jews and Popular Culture in Fin-de-Siècle Vienna
- Title
- Entangled Entertainers
- Subtitle
- Jews and Popular Culture in Fin-de-Siècle Vienna
- Author
- Klaus Hödl
- Publisher
- Berghahn Books
- Date
- 2019
- Language
- English
- License
- CC BY 4.0
- ISBN
- 978-1-78920-031-7
- Size
- 14.86 x 23.2 cm
- Pages
- 196
- Categories
- Geschichte Vor 1918
- International
Table of contents
- Introduction 1
- 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
- 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
- 3. Jewishness and the Viennese Volkssänger 78
- 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
- 5. From Difference to Similarity 148
- Conclusion 163
- Bibliography 166
- Index 179