Page - 41 - in Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna

Jews in Viennese Popular Culture around 1900 as Research Topic | 41 ten und Katholiken in einer deutschen Großstadt von 1860–1925 (Göttingen: Vanden- hoeck und Ruprecht, 2000). 49. Giesen, Bernhard, Kollektive Identität: Die Intellektuellen und die Nation, vol. 2 (Frank- furt: Suhrkamp, 1999), 297. 50. Nathaniel D. Wood, Becoming Metropolitan: Urban Selfhood and the Making of Modern Cracow (DeKalb: Northern Illinois University Press, 2010), 196–97. 51. See Christian Gschiel, Ulrike Nimeth, and Leonhard Weidinger, Die Wiener Familie Rothberger (Vienna: Böhlau Verlag, 2010); Catharina Christ, “Jüdische k. und k. Hofl ie- feranten in der Textilbranche mit Niederlassung in Wien in der Zeit von 1870 bis 1938” (PhD dissertation, Vienna, 2000). 52. Lisa Silverman, Becoming Austrians: Jews and Culture between the World Wars (Oxford: Oxford University Press, 2012), 82–84. 53. On the performative turn, see Erika Fischer-Lichte, Th eater als Modell für eine perfor- mative Kultur: Zum performative turn in der europäischen Kultur des 20. Jahrhunderts, Universitätsreden 46 (Saarbrücken: Pressestelle der Universitä t des Saarlandes, 2000); Doris Bachmann-Medick, Cultural Turns: Neuorientierungen in den Kulturwissenschaften (Hamburg: Rowohlt, 2006), 104–43; Klaus Hödl, Wiener Juden – Jüdische Wiener: Iden- tität, Gedächtnis und Performanz im 19. Jahrhundert (Innsbruck: StudienVerlag, 2006), 47–68. 54. Koller, Volkssängertum, 149. 55. Jonathan Hess, “Shylock’s Daughters: Philosemitism, Popular Culture, and the Liberal Imagination,” Transversal 13, no. 1 (2015): 30, http://www.degruyter.com/dg/view journalissue.articlelist.resultlinks.fullcontentlink:pdfeventlink/$002fj $002ftra.2015.13 .issue-1$002ftra-2015-0005$002ftra-2015-0005.pdf/tra-2015-0005.pdf?t:ac=j$002ftra .2015.13.issue-1$002fi ssue-fi les$002ftra.2015.13.issue-1.xml. 56. Hess, “Shylock’s Daughters,” 32. 57. Brent Peterson, “Julius von Wickede and the Question of German-Jewish Popular Literature” (paper presented at the workshop “Jews and the Study of Popular Culture,” German Studies Association Annual Conference, Arlington, VA, October 2015). 58. See also Andreas B. Kilcher, “Was ist ‘deutsch-jüdische Literatur’? Eine historische Dis- kursanalyse,” Weimarer Beiträge 45, no. 4 (1999): 487. 59. We can see the extent to which historians tend to shy away from incorporating non- Jewish media into their research in the bibliography of the relevant publications. 60. For example, see Leon Botstein, Judentum und Modernität: Essays zur Rolle der Juden in der deutschen und österreichischen Kultur 1848 bis 1938 (Vienna: Böhlau, 1991). 61. See the works of Marsha Rozenblit, Steven Beller, and Robert Wistrich that I have al- ready mentioned. 62. See the last note in the introduction. 63. Wiener Vororte-Zeitung 43 (24 December 1876): [3]. 64. Occasionally, media outlets with a Jewish publisher or owner or with Jewish jounalistic staff are also counted among the Jewish press. Th is was, for example, the case in an expert opinion that formed part of an application that I submitted to the Austrian National Bank to fund research on the topic “Jewish/non-Jewish points of contact in Vienna around 1900.” Th is kind of a categorization, however, is not entirely free from anti- semitic notions. An antisemitic perspective, for example, would classify a newspaper that employed a Jewish journalist for a period of time as a Judenblatt (a “Jew paper”). See Mario Sauschlager, “Antisemitische Feindbilder: Darstellung jüdischer Studentenschaft This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.