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Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna
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118 | Entangled Entertainers realm (see Klaus Hödl, “Th e Quest for Amusement: Jewish Leisure Activities in Vi- enna circa 1900,” Jewish Culture and History 15 (2012): 1–17, http://www.tandfonline .com/eprint/yzPgEjuSfb2QZZS7tgWq/full [accessed 12 January 2019]). An additional example of the horse-and-buggy theme appears in the song “Leb’ wohl, Du altes Tram- waypferd, Du hast für d’neue Zeit kein Werth” (Farewell, you old tramway horse, you are worthless in this new day and age), which helped Adolfi , Albert Hirsch’s son, attain initial success. 66. Joachim Radkau, Das Zeitalter der Nervosität: Deutschland zwischen Bismarck und Hitler (Munich: Carl Hanser, 1998), 173–259. 67. Beard is said to have outlined “neurasthenia” in 1869 (Charles E. Rosenberg, “Th e Place of Georg M. Beard in Nineteenth-Century Psychiatry,” Bulletin of the History of Medicine 36 [1962]: 248.) But another American had used the term in a lecture already a year prior (Philip P. Wiener, “G. M. Beard and Freud on American Nervousness,” Journal of the History of Ideas 2 [1956]: 271). 68. Martin Engländer, “Die auff allend häufi gen Krankheitserscheinungen der jüdischen Rasse” (Vienna, 1902), 16. 69. IWE 4 (4 January 1903): 27. 70. Max Nordau, Degeneration (Lincoln: University of Nebraska Press, 1993). 71. Richard Guttmann, Variété: Beiträge zur Psychologie des Pöbels (Vienna: Deutsch-Öster- reichischer Verlag, 1919). 72. IWE 297 (28 October 1902): 5. 73. Johann Kwapil (1818–1910) was by profession a tailor. After a stay in England, he took over as manager of the Universum in the Viennese district Brittengau in 1853 and stayed there nine years. Later, he directed various Volkssänger ensembles and singspiel halls (see Koller, Volkssängertum, 16). 74. IWE 73 (14 March 1896): 3. 75. IWE 74 (15 March 1896): 3. 76. IWE 77 (18 March 1896): 4. 77. IWE 76 (17 March 1896): 3. 78. IWE 144 (26 May 1903): 9. 79. Das Variété 13 (25 January 1903): n.p. 80. IWE 20 (20 January 1903): 6. 81. Das Variété 20 (18 March 1903): n.p. 82. IWE 69 (11 March 1903): 3. 83. IWE 74 (16 March 1903): 3. 84. Das Variété 20 (18 March 1903): n.p. 85. IWE 74 (16 March 1903): 3. 86. Das Variété 21 (25 March 1903): n.p. 87. On this point, see also IWE 198 (22 July 1901): 3. 88. Das Variété 21 (25 March 1903) : n.p. 89. Das Varieté 21 (25 March 1903): n.p. 90. Because Hirsch was born in Vienna, Recher did not explicitly include him in this desig- nation, but it may well have been implicitly directed at him. 91. Das Variété 21 (25 March 1903) : n.p. 92. Das Variété 21 (25 March 1903) : n.p. 93. Das Variété 21 (25 March 1903) : n.p. 94. Das Variété 21 (25 March 1903): n.p. Th is ceremony allowed the Viennese Volkssänger This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
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Entangled Entertainers Jews and Popular Culture in Fin-de-Siècle Vienna
Title
Entangled Entertainers
Subtitle
Jews and Popular Culture in Fin-de-Siècle Vienna
Author
Klaus Hödl
Publisher
Berghahn Books
Date
2019
Language
English
License
CC BY 4.0
ISBN
978-1-78920-031-7
Size
14.86 x 23.2 cm
Pages
196
Categories
Geschichte Vor 1918
International

Table of contents

  1. Introduction 1
  2. 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
  3. 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
  4. 3. Jewishness and the Viennese Volkssänger 78
  5. 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
  6. 5. From Difference to Similarity 148
  7. Conclusion 163
  8. Bibliography 166
  9. Index 179
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