Page - 120 - in Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna

120 | Entangled Entertainers sary permit. Spannagel’s political infl uence made this possible. Goldstein, in turn, made contact with a Galician butcher who supplied their meat. Spannagel’s antisemitic beliefs did not deleteriously aff ect their mutually profi table enterprise (IWE 241 [1 September 1904]: 8; IWE 258 [17 September 1904]: 4). 123. Shulamit Volkov, “Readjusting Cultural Codes: Refl ections on Anti-Semitism and Anti- Zionism,” Journal of Israeli History 25, no. 1 (2006): 51. 124. Arthur Schnitzler, Der Weg ins Freie (Berlin: S. Fischer, 1922). 125. Koller, Volkssängertum, 115–17. 126. Sammlung der Musikabteiling der Österreichischen Nationalbibliothek, n. 6. 127. Sammlung der Musikabteiling der Österreichischen Nationalbibliothek, n. 6. 128. Sammlung der Musikabteiling der Österreichischen Nationalbibliothek, n. 110. 129. Gertraud Pressler, “Jüdisches und Antisemitisches in der Wiener Volksunterhaltung,” Musicologica Austriaca 17 (1998): 73. 130. Pressler, “Jüdisches,” 71–72. 131. For more on Jürgen Habermas and community, see Th omas Assheuer, “Akademische Aff enliebe,” Die Zeit 26 (18 June 2014): 46. 132. IWE 2 (2 February 1901): 2. 133. IWE 2 (2 February 1901): 2. 134. Georg Wacks, Die Budapester Orpheumgesellschaft: Ein Varieté in Wien 1889–1919 (Vi- enna: Holzhausen, 2002), 62. 135. Eine Klabriaspartie had already been performed in Budapest in 1889. Th e Viennese version diff ers somewhat from the original. Mary Gluck, Th e Invisible Jewish Budapest: Metropolitan Culture at the Fin de Siècle (Madison: University of Wisconsin Press, 2016), 168–74. 136. IWE 33 (3 February 1906): 9. 137. For example, see IWE (7 May 1899): 23. 138. IWE 65 (11 March 1900): 29. 139. IWE 115 (25 April 1904): 13. Incidentally, Dalles is also the name of a card player. 140. IWE 233 (23 August 1904): 15. 141. IWE 145 (26 May 1904): 19. 142. See NÖLA (Th eaterzensur), Box 50/17 (1897). 143. See IWE 243 (5 September 1903): 14. 144. IWE 73 (16 March 1900): 14. Hirsch was not alone in this. Salomon Fischer also ar- ranged a Purim celebration with a ball (see IWE 56 [25 February 1899]: 14.) 145. IWE 282 (14 October 1900): 27. 146. In this context, the work of John Efron has been pathbreaking. In a 2009 article, he em- phatically advocates research in the realm of popular culture, particularly Jewish popular culture. He writes, “One area of German Jewish historiography that cries out for more attention . . . is to study popular culture. Intellectual history has been a dominant trend in German Jewish history . . . little attention has been paid to the quotidian character of German Jewish life and especially in the recreational habits of the community” (John M. Efron, “New Directions in Future Research,” Leo Baeck Institute Year Book 54 [2009]: 4). 147. IWE 291 (23 October 1901): 8. 148. Arnold van Gennep, Übergangsriten (Les rites de passage) (Frankfurt: Campus, 1999), 27–28. 149. Victor Turner, Das Ritual: Struktur und Anti-Struktur (Frankfurt: Campus, 2000). 150. Giesen, Kollektive Identität, 253. This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.