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Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna
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Jewish Spaces of Retreat at the Turn of the Twentieth Century | 145 Judentum: Voraussetzungen und Geschichte, ed. Anna Drabek et al. (Vienna: Jugend und Volk, 1982), 72–77. 42. https://www.wien.gv.at/wiki/index.php/Julius_L%C3%B6wy (accessed 14 August 2015). 43. Julius Löwy, “Der alte Hof: Eine Geschichte aus dem Wiener Leben,” IWE 6 (6 January 1901): 7. 44. IWE 317 (15 November 1904): 6–7. 45. Julius Löwy, Geschichten aus der Wienerstadt (Vienna: A. Bauer, n.d.), preface. 46. Löwy, Geschichten, 62. 47. Löwy, Geschichten, 52. 48. Löwy, Geschichten, 60. 49. Natter and Jesina, Blau, 10–12. 50. Herzog, Vienna, 47–48. 51. Herzog, Vienna, 48. 52. Herzog, Vienna, 52–53. 53. Gertraud Pressler, “Jüdisches und Antisemitisches in der Wiener Volksunterhaltung,” Musicologica Austriaca 17 (1998): 66. 54. Stephen Kern, Th e Culture of Time and Space 1880–1918 (Cambridge, MA: Harvard University Press, 2003), 51–57. 55. Giesen, Kollektive Identität, 233–34. 56. A second form of this vast present was created by simultaneity. In the late nineteenth cen- tury, the telephone and other technological inventions made it possible to transcend great distances and to provide people with information largely at the same time. See Rüdiger Safranski, Zeit. Was sie aus uns macht und was wir aus ihr machen (Munich: Carl Hanser, 2015), 96. 57. Mary Ann Doane, Th e Emergence of Cinematic Time: Modernity, Contingency, the Archive (Cambridge, MA: Harvard University Press, 2002), 13. 58. Georg Simmel, Die Großstädte und das Geistesleben (Frankfurt: Suhrkamp, 2006; original 1903). See also Lynn Hunt, Measuring Time, Making History (Budapest: Central Euro- pean University Press, 2008), 20. 59. Kern, Culture, 50–51. 60. See also Michal Kümper and Barbara Rösch, eds., Makom: Orte und Räume im Judentum (Hildesheim: Georg Olms, 2007); Barbara E. Mann, Place and Space in Jewish Studies (New Brunswick, NJ: Rutgers University Press, 2012); Sylvie Anne Goldberg, “Tem- porality as Paradox: Th e Jewish Time,” in Jewish Studies in a New Europe: Proceedings of the Fifth Congress of Jewish Studies in Copenhagen 1994 under the Auspices of the European Association for Jewish Studies, ed. Ulf Haxen (Copenhagen: Reitzel, 1998), 284–92. 61. In this respect, I should also mention the coff eehouse, as it too constituted a kind of lim- inal space between the public and private spheres and facilitated interactions that more seldomly took place in everyday life. It may be argued that Viennese Jews developed a penchant for these cafés for this very reason. See Charlotte Ashby, “Th e Cafés of Vienna: Space and Sociability,” in Th e Viennese Café and Fin-de-siècle Culture, ed. Charlotte Ashby, Tag Gronberg, and Simon Shaw-Miller (New York: Berghahn Books, 2015), 22. 62. Simmel, Großstädte, 23. 63. Aleida Assmann, Ist die Zeit aus den Fugen? Aufstieg und Fall des Zeitregimes der Moderne (Munich: Carl Hanser, 2013), 71. 64. Felix Salten, Wurstelprater: Mit Bildern von Dr. Emil Mayer (Vienna: Fritz Molden, 1973; photocopy of 1911 edition), 71–76. This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
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Entangled Entertainers Jews and Popular Culture in Fin-de-Siècle Vienna
Title
Entangled Entertainers
Subtitle
Jews and Popular Culture in Fin-de-Siècle Vienna
Author
Klaus Hödl
Publisher
Berghahn Books
Date
2019
Language
English
License
CC BY 4.0
ISBN
978-1-78920-031-7
Size
14.86 x 23.2 cm
Pages
196
Categories
Geschichte Vor 1918
International

Table of contents

  1. Introduction 1
  2. 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
  3. 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
  4. 3. Jewishness and the Viennese Volkssänger 78
  5. 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
  6. 5. From Difference to Similarity 148
  7. Conclusion 163
  8. Bibliography 166
  9. Index 179
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