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From Diff
erence to Similarity | 161
5. http://gutenberg.spiegel.de/buch/der-operierte-jud-227/1 (accessed 9 May 2019).
6. Hirsch, Apostel, 28.
7. Joel Carmichael, Th e Satanizing of the Jews: Origin and Development of Mystical Anti-
Semitism (New York: Fromm, 1992), 71.
8. Klaus Hödl, Die Pathologisierung des jüdischen Körpers: Antisemitismus, Geschlecht und
Medizin im Fin de Siècle (Vienna: Picus Verlag, 1997), 114.
9. Wachter, “Bemerkung über den Kopf der Juden,” Magazin der Gesellschaft naturforschender
Freunde für die neuesten Entdeckungen in der gesamten Naturkunde, 1812, 64–65.
10. Sander L. Gilman, Th
e Jew’s Body (New York: Routledge, 1991), 169–93.
11. For more on the connection between “Jewish” speech and the lack of moral fi
ber, see
Gilman, Self-Hatred, 101–2.
12. Hirsch, Apostel, 29.
13. Hirsch, Apostel, 29f.
14. Adolf Gaisbauer, Davidstern und Doppeladler: Zionismus und jüdischer Nationalismus in
Österreich 1882–1918 (Vienna: Böhlau, 1988).
15. Harriet Pass Friedenreich, Jewish Politics in Vienna, 1918–1938 (Bloomington: Indiana
University Press, 1991), 72.
16. For more on the Kadimah and Palestine, see Robert S. Wistrich, Th e Jews of Vienna in the
Age of Franz Joseph (Oxford: Littman Library of Jewish Civilization, 1990), 365. On Birn-
baum, see Wistrich, Jews of Vienna, 381–420. See also Nathan Birnbaum, “Die Mission
des Judenthumes, einst und jetzt,” Selbst-Emancipation 7 (1890): 240.
17. Philip V. Bohlman, Jewish Music and Modernity (Oxford: Oxford University Press, 2008),
56.
18. Philip V. Bohlman, “An Endgame’s ‘Dramatis Personae’: Jewish Popular Music in the
Public Spaces of the Habsburg Monarchy,” in Vienna: Jews and the City of Music 1870–
1938, ed. Leon Botstein and Werner Hanak (Annandale-on-Hudson, NY: Bard College,
2004), 96.
19. Bohlman, “Jewish Popular Music,” 57.
20. Caprice, Ein Schmoch, NÖLA (Th
eaterakten), Karton 8/13.
21. Bohlmann, “Jewish Popular Music,” 161–64.
22. Wistrich, Jews of Vienna, 363.
23. Marsha L. Rozenblit, Juden in Wien 1867–1914 (Vienna: Böhlau, 1988), 143.
24. Leo Rosten and Lawrence Bush, Th
e New Joys of Yiddish (New York: Harmony, 2003).
25. David Rechter, “Ethnicity and the Politics of Welfare—Th
e Case of Habsburg Austrian
Jewry,” Yearbook of the Simon Dubnow Institute 1 (2001): 257–76.
26. Anil Bhatti et al., “Ähnlichkeit: Ein kulturtheoretisches Paradigma,” Internationales Archiv
für Sozialgeschichte der deutschen Literatur 36, no. 1 (2011): 233–47.
27. Jürgen Osterhammel, “Ähnlichkeit—Divergenz—Konvergenz: Für eine Historiographie
relationaler Prozesse,” in Ähnlichkeit: Ein kulturtheoretisches Paradigma, ed. Anil Bhatti
and Dorothee Kimmich (Konstanz: Konstanz University Press, 2015), 79.
28. Hirsch, Apostel, 42.
29. Albert Hirsch, A Gschicht’ von anno dazumal, NÖLA (Th
eaterzensur), Box 21/1 (1898),
7.
30. We also see a similarity between Jews and non-Jews in Ein riskirtes Geschäff (see chapter
3). In it, Gottfried introduces his creditor Salomon Teitelbaum to the butcher Eulalie as
a good person, because he was prepared to lend money to an alcoholic and take care of
his health. Eulalie respectfully refers to Salomon as “Mr. Israelite” and “Lord Jud” (Albert
This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
Entangled Entertainers
Jews and Popular Culture in Fin-de-Siècle Vienna
- Title
- Entangled Entertainers
- Subtitle
- Jews and Popular Culture in Fin-de-Siècle Vienna
- Author
- Klaus Hödl
- Publisher
- Berghahn Books
- Date
- 2019
- Language
- English
- License
- CC BY 4.0
- ISBN
- 978-1-78920-031-7
- Size
- 14.86 x 23.2 cm
- Pages
- 196
- Categories
- Geschichte Vor 1918
- International
Table of contents
- Introduction 1
- 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
- 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
- 3. Jewishness and the Viennese Volkssänger 78
- 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
- 5. From Difference to Similarity 148
- Conclusion 163
- Bibliography 166
- Index 179