Page - 9 - in The Forest Farm - Tales of the Austrian Tyrol

articulate,—he gives us that life from within. But culture has enabled him to see the peasant in his true relation to the world as well, to measure the life he was born into with the civilisation whose guest he has been. And so in one invaluable book, Erdsegen, he writes of the folk life from without, and that with great truth and consistency. The story is given in a series of letters from a city journalist, who for a frivolous wager goes to live “the simple life” as a peasant among peasants for one year. Looking through the townsman’s eyes, we find there no stage-peasant’s Arcady, no rose-bowered cottages pleasantly ready for week-end lodgers; rather we stare aghast at the coarse food, rough work, some very unwholesome conditions, and obstinate superstitions. The journalist’s earlier letters treat of these things with humorous realism, and we respect his pluck for putting up with them. Gradually the tone of the letters changes, and we see the innate fineness—not the cultured refinement—of the townsman, responding to the strong faith behind the superstition, to the beauty of the traditional labours, the heroic endurance of their undoing by storm and bad fortune, and the acceptance of good and ill alike as from the hands of a good if sometimes incomprehensible Father. The faint sneer, even the amused smile, die from the townsman’s face; dirt and discomfort are lost sight of in the divine realities which draw him, humbly enough at last, to throw in his lot with these humble people. Rosegger is a true prophet, he never disguises truth in defending it. His passion for essential Peasantry is too great for sentimentalities, too honest for whitewash; and so while he exhilarates us with its elemental force he does not fear to show where this merges into brutality, nor when its simplicity opens the door to superstition. And yet in the end we are one with his faith in Bauernthum and the world’s need of it. The land-folk who emigrate to cities, and their children there born, are fast losing and will soon quite lose what no money or experience can compensate them for. Age after age, great shaping influences from the forest, the mountain and the waters of the mountain, the solitudes, the mastery and love of beasts, the disciplinary tragedies and triumphs of agriculture, came and wrought upon the humanity in their midst, gradually creating the customs, traditions, lore and art—everything except religion in its Church sense—which is part of the collective soul of Peasantry. Whatever these uprooted land-folk gain in the city, though they gain the whole world, they certainly lose their own soul—the soul special to Peasantry and until now the fullest spring of the world’s imaginative life. At times, perhaps when he has stayed too long in Graz, Rosegger writes of Bauernthum as of something irrevocably passing; at others he utters his faith —for it is deeper than hope—that it will come again. To him his own life is racially prophetic. He has had the best of civilisation, intellectual intercourse, fame, travel, wealth: but from these and all others of its benefits or lures, he