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siting futurity
printing time-limited money. He said, we’re printing money
that will lose its value very quickly and must be invested. That
inspired people to invest very quickly, to expand their posi-
tions, their pensions. It worked so well that the government
threatened to call in the army, because one can’t let another
currency exist in a country.] (“Presseheft” 2015)
Before Planet Ottakring, Wörgl’s experiment was only men-
tioned in the occasional article in the press, for example on its
seventy-fifth (Broer 2007) and eightieth anniversaries (Dunst
2012). It will be interesting to see whether this renewed interest
in alternative currencies translates into more knowledge about
them and more in actual circulation.
In trumpeting alternative currencies and explaining in detail
the way they work on the ground, Planet Ottakring takes precise-
ly the opposite tack of more mainstream financial films, which
tend to focus on extremely complicated, algorithmically driven
virtual financial instruments invented for the specific purpose of
making self-styled “masters of the universe” very wealthy very
quickly. While films such as Inside Job (2010, dir. Charles Fer-
guson), Margin Call (2011, dir. J.C. Chandor), The Wolf of Wall
Street (2013, dir. Martin Scorsese), Master of the Universe (2013,
dir. Marc Bauder), The Big Short (2015, dir. Adam McCay), Equi-
ty (2016, dir. Meera Menon), and Banking on Bitcoin (2016, dir.
Christopher Cannucciari), deal with complex trading practices
of dubious legality and tend to garner comments such as “[w]
atching the film without any economics or basic banking/trad-
ing knowledge could be hard at times” (helloamazon), Riebl’s
film provides precisely such basic knowledge. It makes clear that
just as water is necessary for a human body’s circulation, the
circulation of currency is equally important to the healthy func-
tioning of local shops and services.12 When this circulation is
disrupted by processes of accumulation, local economies, which
provide for the livelihood of local citizens, suffer. It is not bor-
12 My thanks to Carrie Smith-Prei for helping me to nuance this analogy so
that its economic import was clearer.
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215