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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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72 siting futurity printing time-limited money. He said, we’re printing money that will lose its value very quickly and must be invested. That inspired people to invest very quickly, to expand their posi- tions, their pensions. It worked so well that the government threatened to call in the army, because one can’t let another currency exist in a country.] (“Presseheft” 2015) Before Planet Ottakring, Wörgl’s experiment was only men- tioned in the occasional article in the press, for example on its seventy-fifth (Broer 2007) and eightieth anniversaries (Dunst 2012). It will be interesting to see whether this renewed interest in alternative currencies translates into more knowledge about them and more in actual circulation. In trumpeting alternative currencies and explaining in detail the way they work on the ground, Planet Ottakring takes precise- ly the opposite tack of more mainstream financial films, which tend to focus on extremely complicated, algorithmically driven virtual financial instruments invented for the specific purpose of making self-styled “masters of the universe” very wealthy very quickly. While films such as Inside Job (2010, dir. Charles Fer- guson), Margin Call (2011, dir. J.C. Chandor), The Wolf of Wall Street (2013, dir. Martin Scorsese), Master of the Universe (2013, dir. Marc Bauder), The Big Short (2015, dir. Adam McCay), Equi- ty (2016, dir. Meera Menon), and Banking on Bitcoin (2016, dir. Christopher Cannucciari), deal with complex trading practices of dubious legality and tend to garner comments such as “[w] atching the film without any economics or basic banking/trad- ing knowledge could be hard at times” (helloamazon), Riebl’s film provides precisely such basic knowledge. It makes clear that just as water is necessary for a human body’s circulation, the circulation of currency is equally important to the healthy func- tioning of local shops and services.12 When this circulation is disrupted by processes of accumulation, local economies, which provide for the livelihood of local citizens, suffer. It is not bor- 12 My thanks to Carrie Smith-Prei for helping me to nuance this analogy so that its economic import was clearer.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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