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siting futurity
giant clone in China, the case studies here all offer an alterna-
tive kind of “how-to” guide to recognizing workable collectives
capable of negotiating and navigating their surroundings, using
historical coordinates, ghosts if you will, to avoid succumbing
to the overwhelming complexity wrought by digital technolo-
gies on those surroundings.
Ivakhiv has shown how quickly the scary monsters that are
hyperobjects can be, and indeed have been, produced:
The AnthropoCapitalist Thing (henceforth, A/C Thing) in-
cludes humans, ruminants, cereal grasses, fossil fuels, com-
bustion engines, cities, techno-economic networks, and a
proliferating array of things made for the Thing and things
made to make other things for the Thing. Even things made
by the A/C Thing seem to be getting livelier and more com-
plex: digital life, nanotechnology, online worlds. We are
building a complex meganetwork atop a complex meganet-
work, but with relations between the two—Terra 1.0 and
Terra 2.0 — growing ever more tenuous and fragile. (Ivakhiv
2018, 29–30; italics in original)
A phrase both Bosker and Mitchell employ now strikes me as
quite prophetic: “Boots on the ground are a must,” Bosker de-
clared in her acknowledgements (Bosker 2013, xi), while Mitch-
ell describes a clone army as consisting of “all foot soldiers,
‘boots on the ground’ as the standard synecdoche for infantry
puts it” (Mitchell 2011, 41; italics in original). In order to reclaim
“the digital future as humanity’s home” (Zuboff 2014), we need
to pay proper attention to where our boots are and to recog-
nize and tap into the life-giving strands of our surroundings.
Adopting a Buddhist-like zen attitude towards possessions and
imagining the Anthropocene and humankind as a geological
layer of history, as Ivakhiv proposes as a way of addressing “the
crisis of agency” that is very much a part of our historical mo-
ment (Ivakhiv 2018, 18), may work well in the context of those
haunted by the faces of Jesus, Mohammad, and Moses and thus
back to the
book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215