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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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186 siting futurity giant clone in China, the case studies here all offer an alterna- tive kind of “how-to” guide to recognizing workable collectives capable of negotiating and navigating their surroundings, using historical coordinates, ghosts if you will, to avoid succumbing to the overwhelming complexity wrought by digital technolo- gies on those surroundings. Ivakhiv has shown how quickly the scary monsters that are hyperobjects can be, and indeed have been, produced: The AnthropoCapitalist Thing (henceforth, A/C Thing) in- cludes humans, ruminants, cereal grasses, fossil fuels, com- bustion engines, cities, techno-economic networks, and a proliferating array of things made for the Thing and things made to make other things for the Thing. Even things made by the A/C Thing seem to be getting livelier and more com- plex: digital life, nanotechnology, online worlds. We are building a complex meganetwork atop a complex meganet- work, but with relations between the two—Terra 1.0 and Terra 2.0 — growing ever more tenuous and fragile. (Ivakhiv 2018, 29–30; italics in original) A phrase both Bosker and Mitchell employ now strikes me as quite prophetic: “Boots on the ground are a must,” Bosker de- clared in her acknowledgements (Bosker 2013, xi), while Mitch- ell describes a clone army as consisting of “all foot soldiers, ‘boots on the ground’ as the standard synecdoche for infantry puts it” (Mitchell 2011, 41; italics in original). In order to reclaim “the digital future as humanity’s home” (Zuboff 2014), we need to pay proper attention to where our boots are and to recog- nize and tap into the life-giving strands of our surroundings. Adopting a Buddhist-like zen attitude towards possessions and imagining the Anthropocene and humankind as a geological layer of history, as Ivakhiv proposes as a way of addressing “the crisis of agency” that is very much a part of our historical mo- ment (Ivakhiv 2018, 18), may work well in the context of those haunted by the faces of Jesus, Mohammad, and Moses and thus
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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