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siting futurity
giant clone in China, the case studies here all offer an alterna-
tive kind of “how-to” guide to recognizing workable collectives
capable of negotiating and navigating their surroundings, using
historical coordinates, ghosts if you will, to avoid succumbing
to the overwhelming complexity wrought by digital technolo-
gies on those surroundings.
Ivakhiv has shown how quickly the scary monsters that are
hyperobjects can be, and indeed have been, produced:
The AnthropoCapitalist Thing (henceforth, A/C Thing) in-
cludes humans, ruminants, cereal grasses, fossil fuels, com-
bustion engines, cities, techno-economic networks, and a
proliferating array of things made for the Thing and things
made to make other things for the Thing. Even things made
by the A/C Thing seem to be getting livelier and more com-
plex: digital life, nanotechnology, online worlds. We are
building a complex meganetwork atop a complex meganet-
work, but with relations between the two—Terra 1.0 and
Terra 2.0 — growing ever more tenuous and fragile. (Ivakhiv
2018, 29–30; italics in original)
A phrase both Bosker and Mitchell employ now strikes me as
quite prophetic: “Boots on the ground are a must,” Bosker de-
clared in her acknowledgements (Bosker 2013, xi), while Mitch-
ell describes a clone army as consisting of “all foot soldiers,
‘boots on the ground’ as the standard synecdoche for infantry
puts it” (Mitchell 2011, 41; italics in original). In order to reclaim
“the digital future as humanity’s home” (Zuboff 2014), we need
to pay proper attention to where our boots are and to recog-
nize and tap into the life-giving strands of our surroundings.
Adopting a Buddhist-like zen attitude towards possessions and
imagining the Anthropocene and humankind as a geological
layer of history, as Ivakhiv proposes as a way of addressing “the
crisis of agency” that is very much a part of our historical mo-
ment (Ivakhiv 2018, 18), may work well in the context of those
haunted by the faces of Jesus, Mohammad, and Moses and thus
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215