Page - 197 - in Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna

197 bibliograpHy Hake, Sabine. 2008. German National Cinema. 2nd edition. London: Routledge. “Hallstatt will Touristenmassen besser lenken.” 2019. Der Standard, January 29. https://derstandard. at/2000097182996/Hallstatt-will-Touristenstrom-mit- limitierten-Bus-Slots-Herr-werden. Hamera, Judith. 2014. “Domestic(-Ated) Desires, Tanked City.” TDR: The Drama Review 58, no. 4 (Winter): 12–22. https:// muse.jhu.edu/article/561943. Haritaworn, Jin, Adi Kuntsman, and Silvia Posocco. 2014. “Introduction.” In Queer Necropolitics, edited by Jin Haritaworn, Adi Kuntsman, and Silvia Posocco, 1–29. New York: Routledge. Hatherley, Owen. 2015. “Ghost Cities of China by Wade Shepard Review — Unpopulated Replica Towns Explained.” The Guardian, May 8. https://www.theguardian.com/ books/2015/may/08/ghost-cities-of-china-wade-shepard- review-planning. Heinz, Marlis. 2015. “Hier dreht sich alles um das Drehen.” Berliner Morgenpost, November 30. https://www. morgenpost.de/reise/kleine-fluchten/article206737371/Hier- dreht-sich-alles-um-das-Drehen.html. helloamazon. 2014. Reviews: Master of the Universe (2013). January 7. https://www.imdb.com/user/ur5509285/?ref_=tt_ urv. Hern, Matt. 2016. What a City Is For. Cambridge: MIT Press. Hertweck, Tom. 2018. “The Great Frame-Up: Wes Anderson and Twee Narrative Contrivance.” Texas Studies in Literature and Language 60, no. 2 (Summer): 129–50. http://muse.jhu. edu/article/697027. Herzog, Hillary Hope, and Todd Herzog. 2016. “Keeping Austrian Studies Weird.” German Quarterly 89, no. 2 (Spring): 237–39. https://www.jstor.org/stable/24757613. High, Steven. 2015. “Teardown: Memoir of a Vanishing City by Gordon Young (Review).” Middle West Review 1, no. 2: 151–53. DOI: 10.1353/mwr.2015.0007.