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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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197 bibliograpHy Hake, Sabine. 2008. German National Cinema. 2nd edition. London: Routledge. “Hallstatt will Touristenmassen besser lenken.” 2019. Der Standard, January 29. https://derstandard. at/2000097182996/Hallstatt-will-Touristenstrom-mit- limitierten-Bus-Slots-Herr-werden. Hamera, Judith. 2014. “Domestic(-Ated) Desires, Tanked City.” TDR: The Drama Review 58, no. 4 (Winter): 12–22. https:// muse.jhu.edu/article/561943. Haritaworn, Jin, Adi Kuntsman, and Silvia Posocco. 2014. “Introduction.” In Queer Necropolitics, edited by Jin Haritaworn, Adi Kuntsman, and Silvia Posocco, 1–29. New York: Routledge. Hatherley, Owen. 2015. “Ghost Cities of China by Wade Shepard Review — Unpopulated Replica Towns Explained.” The Guardian, May 8. https://www.theguardian.com/ books/2015/may/08/ghost-cities-of-china-wade-shepard- review-planning. Heinz, Marlis. 2015. “Hier dreht sich alles um das Drehen.” Berliner Morgenpost, November 30. https://www. morgenpost.de/reise/kleine-fluchten/article206737371/Hier- dreht-sich-alles-um-das-Drehen.html. helloamazon. 2014. Reviews: Master of the Universe (2013). January 7. https://www.imdb.com/user/ur5509285/?ref_=tt_ urv. Hern, Matt. 2016. What a City Is For. Cambridge: MIT Press. Hertweck, Tom. 2018. “The Great Frame-Up: Wes Anderson and Twee Narrative Contrivance.” Texas Studies in Literature and Language 60, no. 2 (Summer): 129–50. http://muse.jhu. edu/article/697027. Herzog, Hillary Hope, and Todd Herzog. 2016. “Keeping Austrian Studies Weird.” German Quarterly 89, no. 2 (Spring): 237–39. https://www.jstor.org/stable/24757613. High, Steven. 2015. “Teardown: Memoir of a Vanishing City by Gordon Young (Review).” Middle West Review 1, no. 2: 151–53. DOI: 10.1353/mwr.2015.0007.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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