Page - 118 - in The Vienna Genesis - Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment
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118 Identification of the purple dye on the Vienna Genesis
Roger Puyo, P. 2013. Les pigments et la technique picturale des Évangiles de Saint-Riquier.
Art de l’enluminure 46: 34–39.
Rosi, F., C. Clementi, M. Paolantoni, A. Romani, R. Pellegrino, B.G. Brunetti, W. Nowik,
and C. Miliani. 2013. Study of Raman scattering and luminescence properties of orchil
dye for its nondestructive identification on artworks. Journal of Raman Spectroscopy 44:
1451–1456.
Thomas, M., and F. Flieder. 1980. La composition des parchemins pourprés démystifiée
par la chromatographie en phase gazeuse. In La vie mystérieuse des chefs-d’oeuvres: la
science au service de l’art, ed. M. Hours, 232–233. Paris: Réunion des Musées Nationaux.
Thompson, D.V. 1956. The materials and techniques of Medieval painting. New York: Dover.
Contribution of the authors
Prof. Maurizio Aceto carried out FORS and spectrofluorimetry measurements.
Dr. Elisa CalĂ carried out FORS, spectrofluorimetry and SERS measurements.
Prof. Maria J. Melo carried out micro-spectrofluorimetry and SERS in collaboration with
Paula Nabais and Rita AraĂşjo.
Open-Access-Publikation im Sinne der CC-Lizenz BY 4.0
The Vienna Genesis
Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment
- Title
- The Vienna Genesis
- Subtitle
- Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment
- Editor
- Christa Hofmann
- Publisher
- Böhlau Verlag
- Location
- Wien
- Date
- 2020
- Language
- English
- License
- CC BY 4.0
- ISBN
- 978-3-205-21058-0
- Size
- 17.3 x 24.5 cm
- Pages
- 348