Seite - 118 - in The Vienna Genesis - Material analysis and conservation of a Late Antique illuminated manuscript on purple parchment

118 Identification of the purple dye on the Vienna Genesis Roger Puyo, P. 2013. Les pigments et la technique picturale des Évangiles de Saint-Riquier. Art de l’enluminure 46: 34–39. Rosi, F., C. Clementi, M. Paolantoni, A. Romani, R. Pellegrino, B.G. Brunetti, W. Nowik, and C. Miliani. 2013. Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks. Journal of Raman Spectroscopy 44: 1451–1456. Thomas, M., and F. Flieder. 1980. La composition des parchemins pourprés démystifiée par la chromatographie en phase gazeuse. In La vie mystérieuse des chefs-d’oeuvres: la science au service de l’art, ed. M. Hours, 232–233. Paris: Réunion des Musées Nationaux. Thompson, D.V. 1956. The materials and techniques of Medieval painting. New York: Dover. Contribution of the authors Prof. Maurizio Aceto carried out FORS and spectrofluorimetry measurements. Dr. Elisa Calà carried out FORS, spectrofluorimetry and SERS measurements. Prof. Maria J. Melo carried out micro-spectrofluorimetry and SERS in collaboration with Paula Nabais and Rita Araújo. Open-Access-Publikation im Sinne der CC-Lizenz BY 4.0