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Guido Adlers Erbe - Restitution und Erinnerung an der Universität Wien
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© 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107217 – ISBN E-Lib: 9783737007214 Geiringer15 (1899–1989), even thoughGeiringer was personally a stu- dent of Adler’s. Who else was teaching? People like Curt Sachs16 (1881–1959)orAlfredEinstein17(1880–1952).Einsteinsurelywouldnot haveusedHaydon’sbook; to theextent thathe taughtatSmithCollege, hewasn’t trying todevelopmusicologistsat thisstrictlyundergraduate college. TheConceptof aComprehensiveMusicology BN: GlenHaydon reallywas a sort of bridge.Heproduced this concept of a comprehensivemusicology, to be sure, with ethnomusicology in there, butasasortofthinchapter,butit’sstill there.It’salittlebitthewayAdler presents it in his 1885 article.18 There is ethnomusicology, in a little corner. But still. An interesting remark along these lines in the auto- biography,whenhe talks, in about1927,whenhewas trying to arrange forhissuccession,or influencehissuccession,hesays,“well, it reallyhas to be a music historian,” because compared with musicology, com- parativemusicologydoesnotqualifyasafulldiscipline.Nevertheless,he didincludeit. Ithinkwhatactuallyhappened,though,waswhathedidn’t want, andthatwas that thesuccessor inthatchairbecameRobertLach19 (1874–1958),whowas theoppositeofAdler inall kindsofways. PVB: It certainly securedthat lineofvergleichend-systematischeMusikwissen- schaft. BN: IthinktheideaofacomprehensivemusicologywassomethingthatAdler introduced in theUnited States.OrAdler’s students introduced.On the otherhand,whatwasmusicology like in theUnitedStatesbeforeall the cology at the University of Chicago. His writings on the music of the Renaissance are internationally influential. 15 KarlGeiringerwasanAmericanmusicologistofAustrian,Hungarian, andJewishheritage, whofledtotheUnitedStatesviaLondonafterthe1938Anschluss.Aspecialist innineteenth- centurymusic,hetaughtatseveraluniversities, finallyat theUniversityofCalifornia,Santa Barbara. 16 CurtSachsstudiedmusicandarthistoryattheUniversityofBerlin.DirectoroftheStaatliche Instrumentensammlung in Berlin, he was a pioneering scholar of organology. He immi- grated toNewYorkCityafter theNazi seizureofpowerandtaughtatNewYorkUniversity. 17 Alfred Einsteinwas aGermanAmericanmusicologist of Jewish heritage. He studied pri- marily inMunich and struggled against anti-Semitism to find a teaching position inGer- many. He taught at Smith College inMassachusetts and is best known for his book, The ItalianMadrigal. Princeton:PrincetonUniversityPress1949. 18 GuidoAdler:Umfang,MethodeundZielderMusikwissenschaft. In:Vierteljahrsschrift für Musikwissenschaft 1 (1885), S. 5–20. 19 RobertLachstudiedmusicologyattheUniversityofVienna,wherehewaslaterappointedas professor andOrdinarius, specializing inVergleichendeMusikwissenschaft.He became a memberof theNaziPartyalready in1933. PhilipV.Bohlman/BrunoNettl210 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0
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Guido Adlers Erbe Restitution und Erinnerung an der Universität Wien
Titel
Guido Adlers Erbe
Untertitel
Restitution und Erinnerung an der Universität Wien
Herausgeber
Stefan Alker-Windbichler
Murray Hall
Markus Stumpf
Verlag
V&R unipress GmbH
Ort
Wien
Datum
2017
Sprache
deutsch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-3-7370-0721-4
Abmessungen
15.5 x 23.2 cm
Seiten
316
Schlagwörter
Political Science, National Socialism, Nazi-looted, musical life, provenance research, Nationalsozialismus, NS-Raub, Musikleben
Kategorie
Kunst und Kultur
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Guido Adlers Erbe