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preface
not only the humanities in general on the part of a threatened,
Anglophonic, STEM-oriented society desperate for employ-
ment but also against “postmodern” theoretical orientations on
the part of those in the humanities that seek protection against
cutbacks by retrenching into an elitist, now neocolonial insist-
ence on the type of education the humanities has traditionally
provided for the formation of an educated citizenry dominated
by primarily cis white males, for whom Jordan Peterson has be-
come a patron saint. It would likely surprise both branches of
this onslaught against “theory” that Vienna, of all places, would
have something to offer in support of the type of scholarship
that the Sokal hoaxes were intended to throw into disrepute.3
I consider it important to write about Vienna and its sur-
roundings for a number of reasons, which I discuss in the intro-
duction. Other places no doubt have similar histories that lend
themselves to a similar kind of locational analysis.4 The fact that
I am as unfamiliar with them as many of the Toronto-based fac-
ulty and students I encounter are with Vienna points to the need
for this study. Here I take my cues from two studies I greatly ad-
mire. Just as Boltanski and Chiapello defend the “limited scope
of [their] analyses, restricted to France” (Boltanski and Chia-
pello 2007, xxi) as “a manageable level” that prevents globaliza-
tion from being presented “as the ‘inevitable’ outcome of ‘forces’
external to human agency” (ibid.), so too is my limited scope
3 The first Sokal hoax was perpetrated by Alan Sokal, a physics professor at
NYU, who in 1996 submitted an article to Social Text entitled “Transgress-
ing the Boundaries: Towards a Transformative Hermeneutics of Quantum
Gravity,” which he had written as a parody of what he considered to be the
style of postmodern cultural studies to see whether it would be published
(Sokal 1996). In 2017, a group of academics concerned with eroding crite-
ria for academic publications conducted a similar experiment, submitting
bogus articles with non-existent authors to journals in cultural, queer,
gender, fat and sexuality studies, some of which were accepted for publica-
tion, and in one case even awarded. The scandal became known as “Sokal
Squared.”
4 Vancouver and Hong Kong are two such places that, because of the vagar-
ies of my rather peripatetic experience, I know lend themselves to such
analysis. There are no doubt others.
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215