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conVerting Kebab and currency into community
Disko’s heir is the film’s protagonist, Sammy, a local tough
played by Michael Steinocher who suddenly finds himself in
possession of Disko’s little black book, whose intricate book-
keeping system, much of which is in Cyrillic as Disko was from
an unspecified part of the former Yugoslavia, he has difficulty
deciphering. He gets help in this task both from his grandfa-
ther, a retired accountant, played by Lukas Resitarits, whom
he helps out with grocery deliveries and who tutors him in the
basics of finance capitalization, and from the German business
student, Valerie, played by Cornelia Gröschel, whose research
on the “Schwarzmarkt des europäischen Subproletariat” [“black
market of the European subproletariat”] has taken her to the
Brunnenmarkt, where she is immediately hassled by local youth
and Sammy comes to her rescue. After the local loan shark, Frau
Jahn, played by Susi Stach who was nominated for the 2016 Aus-
trian Film Prize’s best supporting actress for the role, agrees to
give her an unpaid internship, Valerie and Sammy again cross
paths and become romantically involved. Together, they figure
out that Disko’s ledger corresponds with Frau Jahn’s customers,
meaning that Disko had been laundering his ill-gotten gains by
covering the neighborhood’s debts. Disko’s death had brought
about an imbalance in the system, and when locals could no
longer meet their debt payments, it also meant extra work for
Frau Jahn’s goons. Putting the education he has received from
his grandfather to good use, Sammy comes to the neighbor-
hood’s rescue with an alternative currency called “Kommu-
nisten,” or red Schillings.10 The circulation of “Kommunisten”
helps the locals not only get their businesses back on their feet
but also pay their debts, which threatens Frau Jahn’s business as
10 The Schilling was Austria’s currency between 1925 and 1938 and from the
end of World War II until the Euro was introduced in 1999. While Schil-
lings have been officially out of circulation since 2002, billions still exist:
“Altbestände von rund sieben Milliarden Schilling (507 Millionen Euro)
horten die Österreicher noch oder liegen verborgen in Verstecken” [Schil-
ling in the amount of about seven billion (507 million Euro) remain either
hoarded by Austrians or otherwise hidden] (“Kik akzeptiert wieder den
Schilling als Zahlungsmittel”).
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215