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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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69 conVerting Kebab and currency into community As correctly forecast by Crenos, in the years 2009–2014 credit conditions deteriorated 4 years in a row. Reposses- sion rates soared, credit to SME decreased 3.5% and credit to households decreased 2.2% from 2013 to 2014, while [in 2014] non-performing loans stand at 12.6% of the total. At the same time, we were reading many studies — such as those by Uf- ficio Studi CGIA Mestre — on the banking sector reducing on lending for two consecutive years, cutting as much as 100b Euro previously lent to businesses and families. (Littera, cited in Sartori n.d., 4) The failure of existing banking structures in the face of dire eco- nomic conditions led these young Sardinians in 2010 to estab- lish a system that complemented the official one. They set up an online mechanism whereby companies that passed a vetting for creditworthiness were extended a line of credit in return for agreeing to accept a certain number of credits. As Sartori ex- plains, “Sardex does not charge transaction fees and negative (or positive) balances do not incur any interest charge (or growth); however, they need to be recovered through the sale of products or services within twelve months or they will need to be repaid in Euro,” which “motivates the holders of positive balances to spend them, stimulating the local economy” (ibid., 5). The Sar- dex’s success has been substantial: “[b]y December 2014, Sardex had 2500 members, businesses and employees, that conducted 66,000 transactions since January 2012” with an annual turna- round of thirty-nine million Euros (Iosifidis et al. 2015). Sartori’s figures for the following year are somewhat higher — “as of the end of 2015, the mass of credits in circulation was four-million Euro, while the total value of products and services backing this money over a twelve-month period was eighty-million Euro” (Sartori n.d., 5) — and by no means call the Sardex’s success into question, on the contrary. For their part the Sardinians were inspired by the Swiss WIR. The WIR, which stands for “‘Wirtschaftsring,’ German for ‘eco- nomic circle’, but also means ‘we’ in German, emphasizing the community and solidarity aspects of the currency” (Sartori n.d.,
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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