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conVerting Kebab and currency into community
As correctly forecast by Crenos, in the years 2009–2014
credit conditions deteriorated 4 years in a row. Reposses-
sion rates soared, credit to SME decreased 3.5% and credit to
households decreased 2.2% from 2013 to 2014, while [in 2014]
non-performing loans stand at 12.6% of the total. At the same
time, we were reading many studies — such as those by Uf-
ficio Studi CGIA Mestre — on the banking sector reducing on
lending for two consecutive years, cutting as much as 100b
Euro previously lent to businesses and families. (Littera, cited
in Sartori n.d., 4)
The failure of existing banking structures in the face of dire eco-
nomic conditions led these young Sardinians in 2010 to estab-
lish a system that complemented the official one. They set up
an online mechanism whereby companies that passed a vetting
for creditworthiness were extended a line of credit in return for
agreeing to accept a certain number of credits. As Sartori ex-
plains, “Sardex does not charge transaction fees and negative (or
positive) balances do not incur any interest charge (or growth);
however, they need to be recovered through the sale of products
or services within twelve months or they will need to be repaid
in Euro,” which “motivates the holders of positive balances to
spend them, stimulating the local economy” (ibid., 5). The Sar-
dex’s success has been substantial: “[b]y December 2014, Sardex
had 2500 members, businesses and employees, that conducted
66,000 transactions since January 2012” with an annual turna-
round of thirty-nine million Euros (Iosifidis et al. 2015). Sartori’s
figures for the following year are somewhat higher — “as of the
end of 2015, the mass of credits in circulation was four-million
Euro, while the total value of products and services backing this
money over a twelve-month period was eighty-million Euro”
(Sartori n.d., 5) — and by no means call the Sardex’s success into
question, on the contrary.
For their part the Sardinians were inspired by the Swiss WIR.
The WIR, which stands for “‘Wirtschaftsring,’ German for ‘eco-
nomic circle’, but also means ‘we’ in German, emphasizing the
community and solidarity aspects of the currency” (Sartori n.d.,
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215