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siting futurity
3n6), was founded to counteract the effects of the interwar de-
pression. Unlike the Tyrolian case to be discussed below, the
WIR was not shut down but, on the contrary, granted a banking
license in 1936, two years after its founding. It continues to exist
as an electronic complementary currency, and the private cur-
rency it manages, the WIR franc, is mobilized to help the Swiss
franc and stabilize the Swiss economy during periods of finan-
cial downturns and turmoil (Stodder 2000). The WIR is refer-
enced in the award-winning Demain [Tomorrow] (2015, dirs.
Cyril Lion and Mélanie Laurent), a documentary in the positive
spirit of Planet Ottakring, which identifies concrete initiatives
that have proven to be successful responses to the economic,
political, and social challenges of the twenty-first century.
Riegl’s interest in and knowledge of alternative currencies
reaches into the Austrian countryside as well as into the past:
[a]uch im Waldviertel gibt’s jetzt irgendwas, glaube ich, wo
sie sich mit Arbeitseinheiten bezahlen. Wo der eine sei-
ne Marmelade macht und der andere sein Schweinevieh
schlachtet, der andere wo putzen geht oder dem Kind Ge-
sangsunterricht gibt. So etwas gibt es immer wieder, um sich
unabhängig zu machen von den Banken und der großen
Konsumindustrie.
[In the Waldviertel as well I think there is now something
where they pay with work units. Where one makes jam and
the other slaughters pigs, another cleans or gives children
singing lessons. There keep being these things that help peo-
ple from being dependent on banks and the whole consumer
industry.] (“Presseheft” 2015)
Other references he could have mentioned include the open-
access International Journal of Community Currency Research
and the Independent Money Alliance, created in 2014 by Bristol
Pound CIC to lend others looking to set up their own curren-
cies the benefit of their experience. As it is, Riegl’s comments,
which were made for the express purpose of being circulated
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215