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conVerting Kebab and currency into community
depicted as single or without known partners. Moreover, non-
human elements subject to violence and requiring care, such as
the cat and Disko’s vintage vehicle, are important members of
the community.
Strikingly, none of the characters in Planet Ottakring are pic-
tured in inadequate abodes, although many are immigrants in-
debted to a local loan shark, something that contrasts with the
culture-clash comedies, which tend to work in references to how
inadequate the housing of immigrants is. The swimmer in Die
Freischwimmerin is introduced to us as she trips over a skate-
board on her way out of the ill-lit hallway of the dingy building
her fatherless family lives in, while the Turkish restauranteur in
the Kebab films has bought the entire building together with the
restaurant space on the main floor and in the first film is repeat-
edly called upon by his immigrant tenants to fix problems with
the plumbing. What Planet Ottakring emphasizes is the differ-
ence in the size and opulence of dwellings, for example between
Sammy’s grandfather’s modest cottage and Frau Jahn’s luxuri-
ous villa, underscoring the heterogeneity of the neighborhood’s
housing stock.
Gentrification, however, is for the most part a non-topic in
Planet Ottakring, something that fits a larger pattern of denial
that both New York and Berlin also experienced, in the 1970s
and 1990s respectively (Kadi 2016). While Vienna’s much vaunt-
ed reputation for social housing is commonly seen as buttressing
the city against gentrification, the gentrification debate in Vien-
na is shrouded in myth, as Justin Kadi has shown, particularly
“Mythos 1: Der soziale Wohnbau in Wien hat Gentrifizierung
weitgehend verhindert” [“Myth 1: social housing in Vienna has
to a great extent prevented gentrification”]; Ottakring may have
a “vergleichsweise größeres Angebot an Sozialwohnungen” [“a
comparatively large offering of social housing”] (Kadi), but at
35% there are still considerable private rentals and ownership,
something one also sees when one considers the regeneration
of the housing stock that Ottakring has undergone: “72% of the
renovated houses since 2000 were subsidised which means a set
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215