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Hardly Homemad(e)
the Turks.6 While the Mariensäule has been moved about a fair
amount in its more than 300-year existence (it was previously
on the Karmeliter and Jakomini squares), it has been at the Iron
Gate since 1928, long enough to become a fixture on postcards.
While it is difficult to ascertain what role the Holy Maria’s pres-
ence on top of the column overlooking Schlingensief’s shenani-
gans played in the far right taking offence to the performance,
the FPÖ nevertheless took its lead from the column’s reputation
as a bastion of Christendom and did its best to put a stop to
the performance, collecting 10,000 signatures with that de-
mand. Schlingensief counterattacked by threatening to occupy
their party headquarters in the Griesplatz on the other side of
the river, a less than fifteen-minute walk from the Mariensäule,
something he was prevented from doing by the mobilization of
twelve police officers. The resulting coverage in the German-
language press demonstrated Schlingensief’s prowess in mak-
ing his opponents look ridiculous (“Christoph Schlingensief,
Chance 2000 für Graz” 1998). It also provided Schlingensief
with a target and a template for his next major Austrian action.7
The Main (Container) Event
After the major loss suffered by Helmut Kohl’s CDU in the 1998
election, the Austrian election the following year on October 3,
1999 was hotly anticipated, and it did not disappoint. Since 1986
Austria had been governed by a coalition of the Sozialdemo-
kratische Partei Österreichs (SPÖ) and its junior partner, the Ös-
terreichische Volkspartei (ÖVP), and the share of the extreme-
right populist FPÖ had grown from 5% to 27%, mainly due to its
charismatic leader, Jörg Haider. During the 1999 election cam-
paign, the leader of the ÖVP (since 1995), Wolfgang Schüssel, at-
6 See the entry for “Graz, Marien- oder Türkensäule” on the Türk-
engedächtnis [Turkish commemoration] website for details (Türk-
engedächtnis).
7 His skewering the institution of psychoanalysis in Schnitzler’s Brain at the
Schauspielhaus Graz in May 2000 was not as major as his outdoor events
of this period (“Schnitzler’s Brain – Freiheit für Alles” 2000).
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215