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capitalism, scHizopHrenia, and #Vanlife
number one factor for happiness is social proximity. ‘Hap-
piness is only real when shared.’ That is a sentence from the
film Into the Wild, which was one of the models for my film.]
(B. Reiter 2018)
He has his edukators invade well-appointed bourgeois dwellings
in Berlin-Zehlendorf in the city’s posh south-west to draw at-
tention to the fact that the relations such spaces encourage are
mediated by commodities and work not only to increase social
distance, particularly between the generations usually housed
in such structures, but to pit them against each other as well
as against those in neighboring dwellings, to wit — keeping up
with the Joneses by having higher quality possessions, going on
vacation to more exotic destinations, and having one’s offspring
go to more prestigious schools, all of which, of course, are not
merely more expensive but work to limit value to its monetary
meaning.
As cliched as it sounds, Weingart ner’s films suggest that, for
him, home is where the heart is, which, given the provision that
the heart is a revolutionary cell, implies that the bourgeoisie are
heartless. Home, in this understanding, can be anywhere, as long
as it remains open to one’s fellow travelers. The way Weingart ner
has come to realize the value of his own upbringing in Feldkirch
has no doubt contributed to the contempt with which he depicts
institutionalized forces in his films. Having grown up with seven
siblings, Weingart ner became accustomed early on to finding
his own way: “An meinem ersten Schultag, das weiß ich noch
genau, sagte mir keiner aus der Familie, wo die Schule ist, ich
wusste nicht einmal, ob ich schon im richtigen Alter bin” [“On
my first day of school, I still remember it exactly, no one in my
family told me where the school was and I didn’t even know if I
was the right age”] (B. Reiter 2018). Moreover, that upbringing
took place on the edge of a forest he could escape into whenever
adults caused him stress:
Ich bin in Vorarlberg in einem Dorf am Waldrand aufge-
wachsen. Wenn ich als Kind mit Erwachsenen Stress hatte,
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215