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siting futurity
bin ich oft stundenlang durch den Wald gelaufen und stark
wieder herausgekommen. Im Wald merkst du erst, was für
ein starkes wildes Tier in dir steckt. Und wie sehr dieses Tier
die Freiheit braucht.
[I grew up in Vorarlberg in a village on the edge of a forest.
When, as a child, adults caused me stress, I would often walk
in the woods for hours and come out strong. In the forest you
notice for the first time what kind of strong, wild animal is in
you. And how much this animal needs freedom.] (Weingart-
ner 2012)
Weingart ner’s films draw attention to the ways in which the
incursion of control society into the bourgeois family, which
the unholy combination of new technologies and old fears has
encouraged, has robbed its members, and particularly the chil-
dren, of access to such spaces.
It is not only bourgeois social institutions that Weingart ner
rejects in his films. When asked in an interview conducted in
conjunction with a screening of 303 in Vienna about what kind
of building in Berlin he lived in, an apartment or a house, he
surprised the self-declared Tirolean interviewer by telling her
that he lived in the Mercedes camper that features in the film
because he found he could sleep in it the best. Having suffered
from problems sleeping, he had tried the camper and soon real-
ized that he didn’t have to drive out into the forest but could rent
a small dacha and park in the garden (B. Reiter 2018). This is
neither the lifestyle kind of van living celebrated on Twitter with
hashtags such as #vanlife, #vanlifeuk, #vanlifediaries, #vanliv-
ing, #vanlifers, #vanlifer, and #vanlifecommunity, nor the #sad
trend in the United States of the working poor having to live
in their vehicles because they cannot afford anywhere else.6
In choosing not to invest in the property on which he sleeps,
Weingart ner is taking a principled stand against participating in
6 For a good account of the relation between the two and the extent of and
reasons for these phenomena, see Sammon (2019).
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Titel
- Siting Futurity
- Untertitel
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Autor
- Susan Ingram
- Verlag
- punctumbooks
- Ort
- New York
- Datum
- 2021
- Sprache
- englisch
- Lizenz
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Abmessungen
- 12.6 x 20.2 cm
- Seiten
- 224
- Schlagwörter
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Kategorie
- Geographie, Land und Leute
Inhaltsverzeichnis
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215