Seite - 174 - in Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna

174 siting futurity surroundings, such as one of water mounted on the boat shed and one featuring the church tower in China mounted in a park- ing lot looking out over the original church. At the most popu- lar spot in town for taking portrait photographs as it provides a stunning mountain backdrop, one found a photograph of a Chinese wedding party, with a photographer photographing a wedding couple with his helper holding up a large reflector to ensure proper lighting for the wedding photographs.12 While it used to be rare to find wedding couples among the Asians tak- ing pictures of each other at this spot (I can provide much docu- mentary evidence for this claim), the opening of Kazim’s report from October 2018 indicates that that is changing: Eine junge Chinesin schreit auf. Ihr ins Haar gesteckter Schleier wurde von einer Windböe erfasst und ins Wasser des grün schimmernden Sees geweht. Dahin das Hochzeits- bild! Der Bräutigam schimpft, auf Mandarin, man kann nur ahnen, was er sagt. Derweil versucht eine Freundin, die Braut zu trösten. Es ist ja nur ein Fake-Foto — die echte Hochzeit wird noch in China gefeiert, wo dann die Bilder aus Hallstatt den Gästen gezeigt werden. [A young Chinese woman shrieks. The veil that was attached to her hair has been taken by a gust of wind and blown into the shimmering green lake. The wedding picture is ruined! The bridegroom curses, in Mandarin, one can only imagine what he’s saying. In the meantime a girlfriend comforts the bride. It’s only a fake photo, after all — the real wedding will 12 There is much evidence that wedding photography features prominently in both Hallstatts. In Raidel’s documentary, there is a wedding photography scene, in which the reflector for lighting ends up occupying the entire screen. Fischer-Schreiber also comments on the popularity of weddings in Hallstatt See in the “Hochzeitstrubel” [“Wedding Whirlwind”] part of the report of her visit, in which she deems Hallstatt See “eigentlich eine ziem- lich gelungene Kulisse” [“actually a quite successful stage set”] (Fischer- Schreiber 2014).